Great find if it works! I would say it needs new light seals at least. Do you have a battery to test the meter? Not that you have to use the camera's meter, but it's nice. I don't put zooms on my SRT's so I'd go with the Vivitar 50, but that's just me.
I used alcohol or lens cleaner to clean the mirror. There may be other options.
Before you clean it you need to remove the remnants of the old foam bumpers and replace with new ones. That junk on the mirror is from the disintegrating foams in the camera.
Once you have replaced the foams, and blown out the camera to remove any remaining crud, then clean the mirror.
I use isopropyl alcohol and cotton swabs.
Hi guys! There’s been no updates on tracking since monday
But, while I wait, I managed to get another camera. I found this Minolta SRT Super on ebay for just 5€. And of course, I had to buy it.
It’s untested and ir arrived today. Everything seems to work. However, it needs a cleanup. I attached some pictures.
Any recommendations about what to use to clean it? Specially, the mirror.
View attachment 336906View attachment 336907View attachment 336908
View attachment 336910
Now I need to finde a lense! I found some cheap ones:
- Tamron 28-70mm f/3,5-4,5 cf macro for only 15€
- Sunaction 28-70mm, f/3,5-4,8 for 20€
- Vivitar 50mm f/1,7 for 25€
Tamron is the cheapest option, so I probably get that one. Mostly, because I don’t know if the camera really works and don’t know how the pics will turn out.
What do you think?
I ordered some batteries to test it! I think I’ll receive them tomorrow. Also, need to buy some foam to replace the light seals. I watch some videos about how to do it. Hope I’m able to do itit doesn’t seem too difficult but I’ll let you know how it goes!
About the lens, I thought that the 20-70mm has more versatility? But as I haven’t used any lenses before I’m a bit lost. I watched some videos about it to understand better how they work, but I won’t know what I’ll prefer until I try some. I thought about going with the Tamron because the other camera I bought come with a 50mm lens. So this way I’ll be able to try both kinds of lenses. But we still don’t know if the Fujica works and the lense is not compatible with the Minolta without an adapter!
People shooting vintage SLRs tend to prefer 'prime' lenses (i.e. lenses with a fixed focal length) over zooms, because they usually have better optical quality, because they have a larger maximum aperture (which means you need less light and can get a shallower depth of field), because they are mechanically simpler (and hence more reliable) and because they are lighter. Zooms can of course be handy, but primes are also a better way to learn specific focal lengths.About the lens, I thought that the 20-70mm has more versatility?
I ordered some batteries to test it! I think I’ll receive them tomorrow. Also, need to buy some foam to replace the light seals. I watch some videos about how to do it. Hope I’m able to do itit doesn’t seem too difficult but I’ll let you know how it goes!
About the lens, I thought that the 20-70mm has more versatility? But as I haven’t used any lenses before I’m a bit lost. I watched some videos about it to understand better how they work, but I won’t know what I’ll prefer until I try some. I thought about going with the Tamron because the other camera I bought come with a 50mm lens. So this way I’ll be able to try both kinds of lenses. But we still don’t know if the Fujica works and the lense is not compatible with the Minolta without an adapter!
Not to suggest you shouldn't replace the seals, but in a dozen or so vintage cameras I tried over the last year, I never replaced the seals and never got any light leaks. But you should definitely try cleaning out as many loose bits of the old foam as possible, as they can spoil the mechanism.Also, need to buy some foam to replace the light seals. I watch some videos about how to do it. Hope I’m able to do itit doesn’t seem too difficult but I’ll let you know how it goes!
People shooting vintage SLRs tend to prefer 'prime' lenses (i.e. lenses with a fixed focal length) over zooms, because they usually have better optical quality, because they have a larger maximum aperture (which means you need less light and can get a shallower depth of field), because they are mechanically simpler (and hence more reliable) and because they are lighter. Zooms can of course be handy, but primes are also a better way to learn specific focal lengths.
That may well be true, but the OP is choosing between a vintage prime and a vintage zoom.Anyone would be hard pressed to look at a photograph or group of photographs and pick out the difference between prime lenses and modern zoom lenses today. Forty years ago yes, but not with today's lenses.
People shooting vintage SLRs tend to prefer 'prime' lenses (i.e. lenses with a fixed focal length) over zooms, because they usually have better optical quality, because they have a larger maximum aperture (which means you need less light and can get a shallower depth of field), because they are mechanically simpler (and hence more reliable) and because they are lighter. Zooms can of course be handy, but primes are also a better way to learn specific focal lengths.
The SRT SUPER is just another name for the SRT102 & SRT303 -- they were just sold in different locations. And like the SRT102 & SRT303, the SRT SUPER came in two versions. They were the top-of-the-line manual camera at that time from Minolta. Assuming it works, you got a great deal. You can read about them here:
http://www.subclub.org/minman/srt102.htm
Yes, at f1.7 a lens lets in two times (or rather x2.5) more light than at f3.5, so it gives you that more flexibility for shooting in lower light or using a slower film. This is a significant factor, but image quality is significant too -- the lens is the most important piece of photographic equipment, as it is the lens rather than anything else that actually forms the image.I didn’t know that prime lenses worked better with low light. Now I don’t know which one to get. I see that almost everyone who shoots on vintage cameras uses prime lenses… that might be the reason.
A striking subject or composition is often more important than great resolution.
There were TWO versions of the 58mm f1.4. They are really the same lens, but only the second model has meter-coupling.
http://www.subclub.org/minman/normal.htm
I especially liked the Minolta Rokkor f/2.8 21mm lens. Walking around with it felt like having an automobile headlight on ones chest.
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