I can see why. ...
This is total and utter nonsense that displays a complete lack of even the most basic comprehension of MTF and massive confusion with resolution testing.
It's pretty clear that you have very little inkling about either
Again, you don't understand what
You are once again demonstrating that you read about 10% of the books you try to quote & understand even less.
Again, you're guessing.
Or are you guessing wildly on the basis of no actual experience?
2) that Provia destroys 70% of the contrast at only 50cy/mm even at TOC 1000:1, we don't know at 8:1 but it's it's easy to imagine the range in what the real number is.
View attachment 253853
3) For each TOC contrast we have different MTF curve
There is no point of view here: you are wrongly stating how MTF is measured by every single film manufacturer. You have no grounds for debate - you are just going to have to accept that you have made a significant and provable error of fact, no matter what the cost to your positions or agendas are. Or for some reason you cannot/ will not read that Fuji document. Which is it?
For film, MTF graphs are for an specific contrast ratio, this is not the same case than with lenses.
With film, depending on the contrast ratio grains of different sizes take action, so depending on contrast (and base exposure) the MTF graph is totally different.
In the 1000:1 contrast there is a 10 stops difference between lines, so in practice this can be made with a contact copy or perhaps with something like a semiconductor integrated circuit manufacturing lens (projection with reduction). By controlled fogging the film in advance (or after) you adjust contrast of the test and the base exposure of the (projected) black lines.
In that 1000:1 test, if black (projected) lines are in the toe (or not exposed) then white lines will be overexposed around +7, so you are to detect the effect of the ultra small grains having high resolving power over a "fog" from more sensitive crystals... 1000:1 does not describe the film behaviour in pictorial situations as you test crystals that are sensitive at +7 overexposure.
Instead a 1.61:1 tells the truth for common textures, 8:1 for contrasty edges, and 30:1 is good to guess performance for backlighted silhouettes.
If you see the TMX datasheet it says Modulation Transfer extintion at 200 lp/mm for TOC 1000:1 and 65lp/mm for TOC 1.61:1
The posted Provia graph is the one for the unobtanium 1000:1, clearly it has a tendence to extintion at 160lp/mm, well... commercially this MTF graph is nicer than the 1.61:1 would be.
I llustrated in green what it could be the 1.6:1 MTF graph, with extintion at 60lp/mm in that case.
View attachment 253722
_______
Kodak datasheet cites ISO 6328:2000 as the norm inspiring them for that.
_______
Let me reiterate that testing film capability at 1000:1 with a contact copy of a glass target is a totally different situation than with pictorial situations, you'll never get that situation in real shooting, by very, very far.
Exactly.
Again you manage to contradict yourself within your own post.
Sorry, I don't understand what you say or ask...
The Serger's Porsche, for example.
It is impressive because it is MF, MF at 2600 effective does that.
Format rules... If you want I show you how my 8x10" shots resolve, made with a W 360.
https://www.flickr.com/photos/125592977@N05/32535835184/
It so happens that with a quick search on Flickr, that there is a photo of the same tower with almost the same magnification ratio, only taken on a 24 MP camera.
So three times your claimed resolution of 2600 dpi/9 MP on a 36x24mm frame.
https://www.flickr.com/photos/daral...7Y-fmVgrR-JYqPiQ-7w1gRY-2hgPbbT-rSJcFA-byXRpb
Lachlan, bye, bye
I'd say it pretty clearly resolves to the maximum ability of the sensor.Helge, look... the Nikon 18-55 DX (see flickr info) delivers around 8MPix effective of the 24 possible in a D5000 series camera, I use that lens. It is debatable how scientific is the DXO rating, but iy gives a fair idea about how the thing is.
...So the same resolution I claim, thanks for showing evidence of it :
You made an exact match8 vs 8.
View attachment 253860
View attachment 253859
I'd say it pretty clearly resolves to the maximum ability of the sensor.
As mentioned in my addendum to my post, consider that the Minolta is a high end point and shoot from the seventies.
I'd say it pretty clearly resolves to the maximum ability of the sensor.
That is not the response of someone who can handle being wrong. If you can be big enough and grown up enough to handle, admit to & learn usefully from being wrong, then perhaps you might find that many others would have a less negative opinion of you.
Once more, why can you not handle the realities of MTF as used and documented by all the film manufacturers? What is it that you personally have at stake?
Frank, I find your pictures hard to distinguish analog from BW. It could be that they're small on the computer screen. Do you apply any specific adjustments to the digital ones to make them appear more filmlike?Fort Point, Iceland, NSCC Portfolio, and Flower Portraits are digital. The images shown are from the RAW files. I made large digital negatives and printed those in platinum/palladium. All the rest of the galleries are analog. The images for the internet are negative scans. I printed those in my darkroom as either gelatin silver or lith prints. I don't see the point of scanning negatives and making digital prints. You end up with a digital negative that is inferior to what you would have gotten if you had shot digital to begin with. If you want to shoot film, do it right: make analog prints.
I think the word here is "personally". In my experience, you will never, ever, get someone to listen to your point of view while you're insulting them. Even if you're right, and they're wrong, as long as you pepper your argument with personal attacks, they're not going to agree with you. Arrogance, and condescension, even if justified, can also be a serious barrier to useful discussion, and that's how threads get locked.
If you want to shoot film, do it right: make analog prints.
Fank, no doubt that making optic prints from flim is good advice, but let me point that in the same way you make traditional prints from digital shots also we can make digital prints from traditional film.
Film may have a wonderful footprint even if digital post processing follows.
This is Nolan in the Tenet (2020) shooting, and shooting film. First they do with film is scanning it. And this is a high $200 milion production (sadly a pandemy is in the middle).
Looks like you discovered that lens and sensor forms a system and has to be judged as such.Beyond the DXO test I personally tested my 18-55 and it resolves around those 8 MPix in the sweet point.
Still 8MPix effective is quite nice.
See here the P_MPix and the field map...
https://www.dxomark.com/Lenses/Nikk...R-mounted-on-Nikon-D5600---Measurements__1139
Not by far !!! You have to use a prime (like the 50mm 1.4G ) to reach 11MPix with a D5000 series camera:
View attachment 253861
This is quite well known...
Still many 18-55 shots are quite good because of the excellent VR, which the 50G lacks.
with the 50 you have to stop f/4 or 5.6 to get optical performance,
View attachment 253862
then you have same shutter setting than with the 18-55 and in that situation the VR may make a difference.
The 18-55 is excellent and 8MPix effective are a lot for most things (like a 4K TV), but it is 8 MPix. I use a lot that lens.
Ask yourself this question before trying to 'both-sides' this: how has 138S/ Pere Casals managed to irritate & annoy essentially every single person who operates higher end scanners across at least two forums & has had the misfortune to interact with him?
What makes you think we care that you don’t care?See, here's the problem: I don't care.
I'm not interested in his side, or your side-- I'm interested in useful information about how to produce a useful digital facsimile of a film negative. My personal opinion on the Epson feud the two of you have going isn't relevant either, which is why I've tried very hard not to express it here.
I have disagreed with several people in this thread, and hopefully, been able to keep the discussion civil anyway. I recognize that other people are entitled to their opinion, however right or wrong they might be, and I learned a long time ago if a donkey thinks he's a horse, don't bother trying to convince him otherwise. I have occasionally been guilty of trying to teach a pig to sing, but that's similarly fruitless.
Prime lenses doesn’t score to high in DXO Mark either it seems. 14MP for the Nikkor AF 35mm 1.4...
14MPix is with an APSC small sensor camera, with a Full Format D850 the 35mm f/1.4G is rated 25MPix, both are totally fair values for the situation IMO. Think that the 35 is a FF lens, optimized for a format that has x2 the area.
Those rated 8 MPix effective of the 18-55VR in the D5500 are totally fair, but to get that you have to shot f/5.6 or f/8 and under 28mm to get that, see the performance map:
The EXIF of the Melbourne shot says 18mm focal and wide open f/3.5, the focal in good for performance but the apperture is not totally optimal, still not bad. That shot should be slightly under 8MPix effective, but not beyond 8...
What makes you think we care that you don’t care?
Telling other people how you think their mind works is part of civil discussion.
Overly mechanical, faux politeness is something people to whom politeness doesn’t come naturally or easily, have learned as a varnish to put on top of everything to be taken “seriously”.
How is any of that information helpful? Does it really matter if the effect MPix is 7, 8, or 9?
Helge, let me say my point of view...
This is a little selection of Lachlan's personal attacks in this single threadOne post, one disacreditation.
But the truth is that
1) TMX is multi-layer, T on cubic
2) that Provia destroys 70% of the contrast at only 50cy/mm even at TOC 1000:1, we don't know at 8:1 but it's it's easy to imagine the range in what the real number is.
View attachment 253853
3) For each TOC contrast we have different MTF curve
4) And that real practical results are like these most of the times:
https://www.photrio.com/forum/threads/film-vs-scanning-resolution.177544/#post-2313390
So he discredits himself. Sorry for that off topic. I'll try to speak, no more about him, better if his discredits himself.
How is any of this helpful to a photographer?
7, 8 and 9 is the mostly the same, but from 24 effective to 8 effective there is a noticeable difference.
Helge posted the comparison of a 35mm film shot with DSLR shot. I provided some evidence that the DSLR shot is gear limited to around 8Mpix effective and not 24.
https://www.photrio.com/forum/threads/film-vs-scanning-resolution.177544/page-12#post-2317030
How is any of this helpful to a photographer?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?