Not that I am a pessimist or anything, but I can't help but wonder after the initial pipeline is filled with the new Ektachrome, how long Kodak will be able to justify making it.
I doubt if the demand for it today will be even close to the demand for it when they decided to pull the plug.
Fortunately, they have less overhead to contend with, but..........
For those many of you in a hurry, Ektachrome is listed as in stock at the wharehouse of Fotoimpex in Germany.
Seeing the posts on mounts for 35mm and the probable availability of Ektachrome in 120, how's the supply for 6 x 6 mounts, and 6 x 4.5 mounts? I shoot both formats, and have a Kindermann projector. It would be lovely to project HUGE images on a white wall!
HYPOTHESIZED, not PROBABLE.Seeing the posts on mounts for 35mm and the probable availability of Ektachrome in 120, how's the supply for 6 x 6 mounts, and 6 x 4.5 mounts? I shoot both formats, and have a Kindermann projector. It would be lovely to project HUGE images on a white wall!
HYPOTHESIZED, not PROBABLE.
trendland in this threadHelp me out... where exactly is the source and who started that rumor??????
I was being Socratic.trendland in this thread
Forgive me... I have no idea what you are saying, amigo, but your last post was quite entertaining.
All I’m suggesting to GRHazleton is that the only mention of Ektachrome in 120 is a speculation, hope, desire, and a hypothesis... not a promise from a valid and verifiable source, nor even a solid rumor.
Help me out... where exactly is the source and who started that rumor??????
I’m calm... and remaining factual, analytical and realistic. I’d like Ektachrome in 120 as much as anyone else. Of course, as you so correctly imply... I’d like to be able to procure Ektachrome in 35mm too.
I looked! OMG! Looks like most of my E-6 shooting will be 35mm, alas! I've noticed in the past that very few labs offer mounting of ANY 120 transparencies.I forget to say : The Gepe 4,5 x 6 glassless mounts come in danger of discontinuation next.
The 4,5 x 6 anti Newton mounts will obviously have a longer survive. But pls. do yourself a favour and don't have a LOOK what you'll have to pay for still today.
with regards
Ummm....While I have a fair supply of E-6 120 in my freezer, I guess I'd better buy some 645 mounts while I still can. I imagine that 6 x 6 mounts will persist longer.HYPOTHESIZED, not PROBABLE.
I haven’t had 120 E6 lab mounted for the past 20 years... it’s always been returned uncut and sleeved. The labs I’ve used didn’t even offer E6 mounting except 35mm.I looked! OMG! Looks like most of my E-6 shooting will be 35mm, alas! I've noticed in the past that very few labs offer mounting of ANY 120 transparencies.
trendland in this thread
I realy can't remember ever from mounted 120 slide film coming out of a lab. But I am well knowing the uncut and sleeved film return.I haven’t had 120 E6 lab mounted for the past 20 years... it’s always been returned uncut and sleeved. The labs I’ve used didn’t even offer E6 mounting except 35mm.
It’s been a good decade since I’ve been able to get 120 C41 negs lab mounted on aperture cards. I really miss that!
B&H listed it obviously with old pricing !Ummm....While I have a fair supply of E-6 120 in my freezer, I guess I'd better buy some 645 mounts while I still can. I imagine that 6 x 6 mounts will persist longer.
Except you are just some random guy on the internet making stuff up.A "bit" speculation is allways part on every good business. Because if you first have to read it in the newspaper - you are allways coming too late.....
It’s been a good decade since I’ve been able to get 120 C41 negs lab mounted on aperture cards. I really miss that!
The aperture card (there were many) cropped for the desired final print size, offered s place to record exposure and other printing information, and fit into certain enlarging systems. Plus they were compact storage. Old-skool wedding photographer’s dream. Apparently so archaic that I can’t even find a picture of one on the Internet. I think they are still made for microfilm but at one time they existed in many different crops for 35mm and several 120 film formats. If I can find a pic I’ll attach a link.I can imagine a transparency, in MF or larger, being presented this way. But a negative?
What am I overlooking?
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