Just getting back to Wayne. I now print chromes via precise Portra 160 internegatives. This generally requires masking the chrome original. I've been doing some of this either via 8x10 contacts or by projecting 4x5 originals onto 8x10 interneg film. Getting some very high quality results (plus a few inevitable bellyflops as I learn the full parameters). I mostly now shoot Ektar color neg film and print RA4 paper directly from that. But there are low contrast situations, particularly in overcast light, where Ektachrome does better. This new film is interesting. There's very little latitude in the highlights, but the color balance is quite good, it's true 5500K daylight balanced (I tested for that), and the finest grained Ektachrome yet. I still have a box of E100G 4x5 to thaw and use up. This new film isn't radically different, but does have certain minor improvements, which makes it the "better" version of what was already Kodak's "best" E6 offering. It should do well.