DeletedAcct1
Member
I've found, after years and years of reversal trials, that making b&w slides out of non-reversal engineered films is of the utmost difficulty and 99 out of 100 isn't worthwhile.Found this on DR5 website:
"Archival qualities. dr5chromes are totally archival. More so than the best B&W fiber based prints or negatives."
This rules out the use of dye based intensification.
I mean, there are authentic b&w reversal films out there, namely Foma 100R, Scala 160 (and maybe Scala 50), not counting the other films that can be adapted with minimum efforts (Superpan 200, 80s etc...). Why bother to force Kodak Tri-x or Ilford Fp4+ to reverse well whilst they aren't mean to?