I use a polarizer all the time with black and white,.
I still use a linear polarizer for my rangefinders. In the back on my head somewhere years and years ago I thought I had read a recommendation to use a linear polarizer with rangefinders. I don’t know exactly what that reasoning would be.
When I drove through the Texas Panhandle, the clouds and sky overwhelmed everything. Here is an example of a Fuji Acros frame from Chillicothe, Texas, taken with a polarizer. West Texas is fascinating.
Update, more Chillicothe here:
https://worldofdecay.blogspot.com/2020/03/small-towns-in-texas-panhandle.html
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Thank you. West Texas is fascinating, especially when the sky is angry and overwhelming. Mid-summer might be a bit rough with the heat.Andrew,
Your photo makes me want to road trip to West Texas! Thanks for sharing it...and thanks too for the link to your Blog. I will be enjoying the blog for a few hours/days....
I don't think I've ever owned or used a polarizer. They're hard to use well on anything other than an SLR anyway. The main things they're good for (as I understand it) are removing water surface or glass glare, and preferentially darkening (part of) the sky for color films where a yellow, orange, or red filter isn't acceptable.
Thus polarizers are prime candidates for SLRs and view cameras.
I've also never (yet) used color film in a view camera. Got a box each of Portra 160 and Ektachrome 100 in 4x5, but haven't loaded any of them into film holders yet.
I've also never (yet) used color film in a view camera. Got a box each of Portra 160 and Ektachrome 100 in 4x5, but haven't loaded any of them into film holders yet.
I've been shooting landscapes my whole adult life, and NEVER use a polarizer with either b&w or color film, on any kind of camera (except for polarized copystand purposes in the lab). I like natural reflections and hues as they are. if you aren't careful, something just looks and tastes off when polarizers come into play.
I don't think I've ever owned or used a polarizer. They're hard to use well on anything other than an SLR anyway. The main things they're good for (as I understand it) are removing water surface or glass glare, and preferentially darkening (part of) the sky for color films where a yellow, orange, or red filter isn't acceptable.
@GLS To me, the sky plays second fiddle to the tones and variation of textures in the fields in foreground and middle of the scene. That's a really nice image.
I don't think I've ever owned or used a polarizer. They're hard to use well on anything other than an SLR anyway. The main things they're good for (as I understand it) are removing water surface or glass glare, and preferentially darkening (part of) the sky for color films where a yellow, orange, or red filter isn't acceptable.
Depends on the type of filter system you use. With any of the systems which use a holder on front of the lens (rather than individual screw-in filters), the degree of polarisation can be set on the filter with the holder off the lens, then the whole thing can be reattached without altering its position.
I don't think I've ever owned or used a polarizer. They're hard to use well on anything other than an SLR anyway. The main things they're good for (as I understand it) are removing water surface or glass glare, and preferentially darkening (part of) the sky for color films where a yellow, orange, or red filter isn't acceptable.
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