Raghu Kuvempunagar
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Oh, this is great! I might try this some time;
Well, that's a bit of a challenge; last time I tried to order it, I waited for weeks and then received an envelope with the exact amount of money I paid for it in coinage, with a note informing me the supplier couldn't deliver...so that's why your solution (pun intended!) comes in so handy.
Years ago I was wondering if you could take commercial Yellow iron oxide, add oxalic acid and make FO. In one bottle, I used excess iron oxide (based on theoretical stoichiometry,) in another I used excess oxalic acid. I left them for a while. Nothing happened for days, weeks, months. I stopped checking after a while. Some 2 years passed and I happen to check on the bottles as I was cleaning out stuff for my move. Well, there was a nice green solution in both of the bottles. One with the excess iron oxide still had some pigment. The other one is nice and clear. Somewhere between 6 months and 2 years, there was complete reaction. Never did any printing or checked if this is indeed photosensitive. I still have the bottles. Not a very practical method but interesting!
Interestingly the solution is darker and greener than what I expect from a 20% solution of Ferric Oxalate. What is the concentration of FO in the resulting solution?
Wouldn't the synthesis be much faster if Yellow Iron Oxide is first reacted with Nitric Acid to get Ferric Nitrate and then react it with Oxalic Acid?
This is very interesting, Raghu! I'll give it a go when I return from Cuba. So, I guess I would mix up this dilution 1+1 with the Silver Nitrate solution?
Some time ago I checked with K ferricyanide and got no blue so it seems to be stable too after all these years.
That's very encouraging. You can perhaps do a Cyanotype Rex with it. The one without excess of Oxalic Acid could be good for Kallitype too.
Thanks from me also, Raghu. Since I have the chemistry for that, I may also try this out. I saved your recent post on the alt process list for this. Difficulty of getting and cost of the ferric oxalate was why I avoided this process the last few years.Like several of my printmaking friends in India, I was looking for a simple procedure for synthesising Ferric Oxalate for use in the Kallitype process as importing Ferric Oxalate was both complicated and expensive. So I explored several methods to make Ferric Oxalate at home for use in the Kallitype process. Pretty soon I realised that some of the well-known methods for synthesising dry Ferric Oxalate are cumbersome and not well-suited for the low volume users like me. Also, dissolving dry Ferric Oxalate is a pain taking a lot of time and effort.
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