Tom Kershaw
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Nevertheless, if grain is your only concern, I would try Spur HRX-3 Professional. This developer gives the finest grain I've seen, but I'm afraid, you're back to fondness of oxidation.
Tom
You probably know that TMax400 and D76 1+1 is my favorite film/dev combination. I'm looking at some images right now, and at 11x14, I just don't see any grain at all. Well, maybe a hint in uniform mid-gray areas, but nothing that would bother me.
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good balance between grain, speed and sharpness.
Tmax film and Tmax developer balances well for me. I would think that would be to obvious first choice for Jobo processing.
I quit looking for another developer for TMY-2 when I tried XTOL. I'm developing 5x4 TMY-2 in XTOL 1:3 in a Jobo 3010 tank. A very hard to beat combination IMHO.
Example; crop from 6x7 negative print on ILFORD MGIV RC GLOSS 8"x10" - equivalent to 24" on the long side:
On second thoughts perhaps the grain isn't that bad.
Tom
I would classify HRX-III as a first of all sharpness orientated developer in combination with very fine but not finest grain. I developed a test strip of Tmax 400 in HRX-3 two days ago and compared it with negatives of the same scene developed in Perceptol stock and in A49 stock.
What gives the sharpest results all the way up to 16x20" without getting grainy? I use 4x5", jobo and tmy2 as well
And Steve, how many times do you think you posted that Kodak chart?
On APUG? Only a couple of million times, but only because applies and it saves endless discussions.
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