Depiction of photographers in movies/TV

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snusmumriken

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Mr Jones. I haven't seen it yet, but it's on my list.

Further to this, I have now watched the film. It’s a slow but moving film about Stalin’s Soviet Union and the Holodomor in Ukraine, but don’t watch it expecting it to be about photography or a photographer. The camera (a Barnack) appears just twice, very briefly.
 

pentaxuser

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You might add the 1940 Hitchcock film "Foreign Correspondent" where a raft of press photographers take shots of the Dutch Prime Minister with what appear to be Speed Graphics except that one( the assassin" ) is taking a shot with gun hidden in his hand by a double dark slide also in his hand

The interesting points for me are 1. The authenticity angle i.e. would press photographers have been issued with U.S press cameras?
2. The well thought out scene of a gun hidden by a dark slide was a scene made possible by such large cameras and be ímpossible now or even in the 1960s onwards

The above was first brought to my attention by a former member AgX on another thread several years ago

Oh and its worth a watch as a film if you have never seen it

pentaxuser
 

jamesaz

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A character in the movie “Putney Swope” by Robert Downey: Mark Focus. A photographer who wore a speed graphic on a strap around his neck. (Scene)Looking for work:
Focus: (showing his portfolio) I did this for G.M. This for IBM. This for CBS.
Swope: I know your work Focus, you’re the best in the business.
They begin negotiating. Eventually Focus says he’ll do it for nothing because “I need the work”
 

grahamp

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I watched the movie pilot for the 'Ironside' TV series the other day. There's a scene with Ironside asking for his job back (in a restaurant with the Chief of Police) surrounded by a press pack. Everything from 4x5 press cameras to 35mm, and I think an 8mm cine camera. Bizarre. Must have cleaned out the props department!
 

Pieter12

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I watched the movie pilot for the 'Ironside' TV series the other day. There's a scene with Ironside asking for his job back (in a restaurant with the Chief of Police) surrounded by a press pack. Everything from 4x5 press cameras to 35mm, and I think an 8mm cine camera. Bizarre. Must have cleaned out the props department!
Maybe it was a Bell & Howell 16mm. Newsrooms used those all the time before videotape.
bell_howell70dr_prop.jpg
 

RezaLoghme

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The wonderfully entertaining "TV Tropes" database has a very good page on how photographers are being portrayed in movies:

 

nikos79

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Wim Wenders. He loves photography and one of his heroes was a photographer in a film - can't recall which
 

JensH

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Wim Wenders. He loves photography and one of his heroes was a photographer in a film - can't recall which

Palermo Shooting!
German rock star Campino with a Makina 67.
Also a pano camera at the beginning of the film (Noblex?).
 

pentaxuser

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UK TV is forever making the mistake of using safelight( always red) to indicate any and all kinds of film developing work


Recently I watched an episode of a 1950s/early 60s crime series where a film was being developed in a daylight tank under a red light.

Might it have been an ortho film?- possible but unlikely at that time. What made it worse however was they examined the film still under red light

pentaxuser
 

Kino

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UK TV is forever making the mistake of using safelight( always red) to indicate any and all kinds of film developing work


Recently I watched an episode of a 1950s/early 60s crime series where a film was being developed in a daylight tank under a red light.

Might it have been an ortho film?- possible but unlikely at that time. What made it worse however was they examined the film still under red light

pentaxuser

Red safe light has depicted darkroom work in motion pictures for many, many years. However, what the actors do under that light is a good indicator of the technical comprehension of the implied process by the image maker.

It is like when you hear a motor drive sound dubbed-in over the image of a clearly manual SLR in a program.

Those who know, laugh.
 
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UK TV is forever making the mistake of using safelight( always red) to indicate any and all kinds of film developing work


Recently I watched an episode of a 1950s/early 60s crime series where a film was being developed in a daylight tank under a red light.

Might it have been an ortho film?- possible but unlikely at that time. What made it worse however was they examined the film still under red light

pentaxuser

Maybe they were using print film to make a copy of a negative, maybe to get some slides. If so it would make sense to work under red light and examine the film under red light, after development but before fixing to check if development was sufficient.

"The untouchables" also have a photographer, but he ain`t a main character of the film. He is there sometimes with a Graflex, but is handling the camera proper as far as i recall.

Oh and there also is a movie with Danny De Vito where he is playing a photographer in the 50s - he is developing his sheets in the trunk of his car (at night) to be the first who can sell his picture to the newspaper. But i cannot recall the title of the movie, maybe it`s already in this list here.
 
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