Thanks guys. It been a long time since I have seen an enlarger and it was in a college darkroom with 10 ft long sinks. Any layout books you can recommend? I can layout a foundry or woodshop but this is new to me.
One long wall with a small table (that might get water damaged and isn't strictly necessary) near the door (for instance starting with the wall on the right as you stand in the door), then a sink down to the corner. A small space, say two and a half feet, in front of the sink at the corner, then on the back wall, 90 degrees to the sink, your enlarger/stand. To the left of the enlarger, the things you have immediate use for in printing, but want dry--place for working negs and paper, for instance.
You take a neg from the left of the back wall, load it in the enlarger, then paper, make the exposure; move right to the sink, developer tray, work your way down the sink towards the door. Stop, fix, wash, then out the door, or across the doorway to a drying table that is as far from the wet chemicals as possible. The third wall, facing the sink, is for the other stuff you really want dry--where you store negs, do mounting, etc. This has pretty much been the layout in the six or so small commercial darkrooms I've worked in. Wet to the right, dry to the left, transitional from dry to wet at the back wall (also putting your enlarger farthest from the light leaking door, if necessary) between left and right.
Put the safelight over the stop where it won't spill on the enlarging area. Put another over the enlarger, but hook it to the timer so you can focus and expose with the safelight not interfering.