it could be evidence of honesty
I seem to recall someone posting a coloured in HCB photograph on this site.
I seem to recall someone posting a coloured in HCB photograph on this site.
Maybe this was already mentioned (if so, my apologies) but you can buy a print of the colorized photo on ebay for 20 bucks...
We’re getting dangerously near the question ‘What is art?’. I suspect it’s already the case that if we ran a blind test on random members of the public using a mixture of human- and AI-generated graphics, we’d find some of the latter being selected to represent art (vs non-art).Not that this makes any difference to anyone who accepts Ai generated garbage as art.
Or, you can just ask AI to generate a new one just like the one from Danziger gallery. What moron would pay money for it?
I checked your post 60. I don't understand what the copyright notes on the links mean, especially since one of them says Date of Creation in 1980, long after the original was done back in the early 1940s. SO the question I have is the Danziger photo one of the originals that lost it;s copyright and therefore able to be colorized? How can a later edition have a copyright that would affect the original earlier one?I did at first, and then I did what anyone using Wikipedia or AI should do… verify both their sources and other authoritative sources. The link in Post 60 is the copyright database tgat shows when the trust renewed that image’s copyright.
Why hasn’t it been taken down by the gallery already… good question. They may think they can contest the allegations or they may think there’s more value in defying the request relative to the consequences.
What makes you think that any of the originals "lost it;s copyright"? AI, Wikipedia, and Google search? You might want to ask an authoritative organization, who clearly mark a vintage image with a "modern" copyright date.SO the question I have is the Danziger photo one of the originals that lost it;s copyright and therefore able to be colorized? How can a later edition have a copyright that would affect the original earlier one?
Statement by James Danziger - - Exhibitions - Danziger Gallery
Since its founding in 1990, the Danziger Gallery has established itself as one of the leading photography venues in the world, known for the originality and diversity of its programming, its representation of established photographers, and the influence of its new discoveries. The gallery was...www.danzigergallery.com
Oops, I forgot to inform the Adams Trust but I definitely didn't forget to call my lawyer. Scumbag.
I see he represents some high profile photographers. I wonder if he will lose any, and if he plans to colorize those works too.
Not unless they're in the public domain.
Makes no difference. It's plagiarism plain and simple. Just a stupid colorized xerox of someone else's work they don't deserve credit for, and shouldn't be paid for. Nothing better to do, I guess.
The guy is flailing in his statement.
He said he wanted to see what Ansel saw, to see the scene which prompted Ansel to stop and lug out the 8x10 camera.
The original print is a heroic balancing of tones from a cantankerous negative. If anyone had taken a colour photograph of the scene and didn't apply the same level of heroics to the print, it would be ghastly. Danziger merely produced a colour version of a highly dodged & burned B&W print, bearing little resemblance to the original scene.
My guess is he's thinking of the original print as a found object in a public space. He also uses the word 'transformative' in the wrong way. He will lose in court.
Sadly, there are some collectors who will buy the prints and hold onto them for their investment potential, as early examples of AI weaselling its way into the photographic fine arts world.
Hopefully any sold and remaining Danziger prints will be destroyed.
This ripoff artist will go the way of NFTs... https://www.artnews.com/art-news/news/majority-nfts-dead-report-1234716174/
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