Changing Up My Darkroom and Home Studio

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Nokton48

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Slate New James Bright 8x8 foot Background CFV16 100mm CT Star F11 Octobox 150 by Nokton48, on Flickr

I bought this James Bright Background "Slate" on Ebay, it was 10 foot by 20 foot. So I took it outside, and spread it out in the sun. Folded it over on itself to make two equal pieces, and cut it in two. Then measured two feet in on one side, and cut both backgrounds down to eight feet. Then using Gaffer Tape, taped one end securely to my background holding rod. Then rolled it up tightly and installed it to hang from the studio ceiing, along with my other muslin and paper backgrounds. This is lighting test Hasselblad 500C/M with CFV16 Digital Back, and 100mm CT* Zeiss Planar. Lighting by Broncolor Octobox 150 powered by Opus A2 1600J setting. F11 at ISO 100 recorded by my Broncolor Strobe Meter. The other background is folded up, I'll be using it elsewhere. Very good price for what I paid. I like this new background it'll get some use.
 
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Nokton48

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CFV16 30MM BLACK TSTAR DISTAGON EI F11 500CM by Nokton48, on Flickr

This Curved Beauty Reflector arrived months ago, yesterday I took out the pieces, and assembled it! It is lightweight, kind of big, but creates that nice beautiful catchlight in beauty shots. Since I'm getting all my Beauty Reflectors shored up, making this up makes good sense too. Hasselblad 500C/M 30mm black C T* Distagon Fisheye at F11. Broncolor Octobox 150 Supplemental Diffusion, Opus A2 1600J exposure. Good to use the Fishy Lens again.
James Bright Background.
 
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Nokton48

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CFV16 120mm f5.6 S-Planar C TStar Zeiss Proxar .5 Polarizer by Nokton48, on Flickr


Testing "floating" in blackness on FOBA glass sweep table. Hasselblad 500C/M with Zeiss 120mm f5.6 S-Planar with Zeiss .5 Proxar lens and Hasselblad Polarizer (rotated to eliminate reflections). CFV16 Hasselblad Digital Back (16MP) Broncolor Hazylight suspended overhead.
 
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Nokton48

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New Godox to Pulso Ceiling Storage works great by Nokton48, on Flickr

Here I've wanted to mount some of my bigger Pulso Reflectors to the ceiling, Broncolor makes a Pulso Mount, it's quite expensive. I bought three Godox to Pulso Metal/Plastic Adapters $30 each. Mounted to a strip of wood, stores away the bulky heads but keeps them out of the way and at hand. I may make a few more of these to store away some of my other big bulky heads. That's from the left, my Pulso Silver Beauty Light with Honeygrids tight grid. Center is a Broncolor P45 degree with Broncolor Barn Doors. And on the right, an older Broncolor Pulsoflex 60x60 Soft Box. All nicely stored out of the way now. And I don't hit my head on any of them
 
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Nokton48

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New to me 3000J Broncolor Ringlight Olde Version AOK by Nokton48, on Flickr


I popped this new to me Big Broncolor Ringlight at 1600J a few times, it's working perfectly. Love it and it's basically an on-camera fill light, adjustable angle, and up to 3000J in one pop. Beeg Flashtube safely covered. This unit has seen little use and was quite a bargain. Balloon Below camera left, Broncolor Hazy overhead 1600J. Nex 7 50mm Zeiss Touit. Foba DIMIL Sweep Table tempered glass covered with architectural Vellum.
 
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Nokton48

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Six Godox Pulso Adapters suspending six Broncolor Relflectors by Nokton48, on Flickr

I really like how this is working out. Now I have six Godox to Broncolor Pulso Adapters screwed strongly to ceiling joists. Gets these bulky reflectors out of the way, yet they are right at hand. Opens up the studio space, not having them piled all around the studio. And plenty of room I'm not feeling crowded at all. In the front set, from the left, Broncolor P70 with Grid and Barndoors. Then a P65 sized Universal Blue with modern P65 Grid which fits perfectly. Finally on the front right, my Octobox 75, up and out of the way, but ready to easily take down to use. A lot of work to build two of these, but work that needed to be done.
 
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Nokton48

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Studio Renovation well equipped by Nokton48, on Flickr

Picked up two Broncolor Striplight Grids, have wanted a pair for a while. Also a Grid for the Octobox 150 is on it's way too. Studio is coming well together and well equiped. Getting more organized as I get everything boxed up and labeled. Plenty of shelf space available. There is a steel rolling shelf with my new Olde Macbook Pro, and cameras I use all the time. Below boxed up is all my Hasselblad stuff well organized. The 2009 Broncolor cool calendar was an internal only thing I was told, found this copy on Etsy.
 

Pieter12

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Studio or warehouse?
 
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Nokton48

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Some of my photo friends have said it's a photographic museum. LOL. It has more shooting space than appears here. Three different areas I photograph in fairly regularly.
 
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Nokton48

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Broncolor Olde Ringlight CFV16 60mm F13.5 Apus A2 6.5 by Nokton48, on Flickr



Back to the 1980's My stand-in "Shirley" gets the high fashion light treatment LOL. Broncolor Olde Ringlight, connected to Apus A2 Pack at 6.5 power, gets me F13.5 with the CFV16 Hasselblad Back at Ei 50. Distinctive ringlight shadows behind, this will be great for me as a frontal "fill" light. 60mm F3.5 C T* Distagon Anniversary 500C/M. Love it.
 
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RalphLambrecht

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AgX said:
In a similar situation of an Apug-fellow there was critique on the open cealing, with danger of dust coming through or from withing the ceiling.
Hard for me to evaluate.

What are those black tubes in wooden holder in the tanks rack?
Click to expand...

Your're off to a good start;make getting cold and warm water into and oout of the room a priority, otherwise, you'll regret it.
 
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Nokton48

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HI Ralph,
I have a large square Kreonite Printing Plate Washing Sink I bought for $40 (basement of MPEX) I had a Contractor plumb in and carpenter. Develop a lot of film in that sink.

In the other side, I have an 8 Foot Plastic Delta Darkroom Sink I dragged out of a Friend's garage for $50, it was hanging out the end of my car, roped in, to get it home. A Contractor plumbed that in, I made a sturdy base out of plywood and 2x4's.

The "Laboratory Rack" my former repairman made me to hold eight 4x5 Black Plumbing Pipe Developing Tubes. I fill the bottom cap with Developer, then load the tubes with film in the dark. Then I can flip them over and develop like using a BZTS tubes type system.
 
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