Cannes: Shot on Kodak Film

[markjwyatt]

Movies Shot on Film presented in Cannes 2022

Cannes 2022 Selection Features 25 New Productions Shot on KODAK Film

Cannes 2022 selection features 25 new productions shot on KODAK film

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Cannes 2022 Selection Features 25 New Productions Shot on KODAK Film

• Corsage - Marie Kreutzer (35mm)
• Godland - Hlynur Pálmason (35mm)
• Sick Of Myself - Kristoffer Borgli (35mm)
• Harka - Lotfy Nathan (35mm) 1st feature

Out of Competition

• Mascarade - Nicolas Bedos (35mm)

Premieres

• Don Juan - Serge Bozon (35mm)
• Le pupille (The Pupils) - Alice Rohrwacher (16mm/35mm)

Cannes Court Métrage

• Same Old - Lloyd Lee Choi (16mm)
• Cherries - Vytautas Katkus (16mm Ektachrome)

Directors’ Fortnight - Feature Films

• L’Envol (Scarlet) - Pietro Marcello (35mm)
• Les Années Super 8 (The Super 8 Years) - Annie Ernaux & David Ernaux-Briot (S8) 1st feature
• Les Cinq Diables (The Five Devils) - Léa Mysius (35mm)
• Enys Men - Mark Jenkin (16mm)
• Falcon Lake - Charlotte Le Bon (16mm) 1st feature
• Funny Pages - Owen Kline (16mm) 1st feature
• God’s Creatures - Anna Rose Holmer & Saela Davis (35mm)
• Un Beau Matin (One Fine Morning) - Mia Hansen-Løve (35mm)
• Le Parfum Vert (The Green Perfume) - Nicolas Pariser (35mm)

Directors’ Fortnight - Short Films

• Maria Schneider, 1983 - Elisabeth Subrin (16mm)
• Jitterbug - Ayo Akingbade (16mm)

Critics Week - Feature Films

• Aftersun - Charlotte Wells (35mm)
• When You Finish Saving the World - Jesse Eisenberg (16mm)

Critics Week – Short Films

• Hideous - Yann Gonzalez (35mm)

ACID - Feature Films

• Yamabuki - Juichiro Yamasaki (16mm)
• Magdala - Damien Manivel (16mm)

 

[MultiFormat Shooter]

Excellent, and it's nice to see 16mm Ektachrome, in the mix.

 

[gone]

Great news, especially since I dislike watching digitally made movies.

 

[MattKing]

And the film used by all those productions probably exceeds the film used by all the members of Photrio last year together by a factor of at least 1000.

 

[AgX]

What does this listing say about film use in commercial cinematography at all?


And concerning the camera-film use per production one should be critical. One no longer can apply the figures given in old textbooks.

And that the Apug-users are irrelevant to the industry even within still-photography has been shown here in the past.


By the way, Mirko never ever had it about cine films. And one of the two cine-film manufacturers is in insolvency.