AndyH
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Thanks a lot for all the tips everyone, never ceases to amaze me how willing this community is to help a stranger think through something like this. In one of my darkroom books, I found this image that's pretty close to the layout of my closet. You'll see that I've highlighted in red where the door actually is at our house, so it's slightly different. I like the idea of putting shelves next to the angled wall under the stairs.
I like Matt's idea of using a drum. You could set up the enlarger inside the closet so that the back of the enlarger faces the stairs. That would give you enough room to close the door behind you and not feel like you were just jammed in there.@MattKing thanks for the response. I don't know much about processing with tubes but would love to stick to using the trays I've already purchased. Yep, there is a utility sink in the laundry room that is right inside the house from the garage.
That looks cozy, but where there's a will there's a way. I'm sure you can make it work.Sorry for the delay in response everyone, been busy finally closing on the house! I really appreciate you all taking the time to give me solid suggestions - means a lot! I’ve attached some photos of the closet itself. Hopefully this makes it easier to understand the space. I think it will be doable just a bit small. Hopefully I can make the room a bit longer one day.
That's neat!Black out the garage and just store stuff in the closet. My solution has been to build a cabinet for the enlarger and another for developing film. (The cabinets keep the dust off things.) When I print, I pull out a large folding table and the print washer lives in the attached laundry room.
I first started printing in a sauna about that size. Where there is a will there is a way. Good luck and please post updates on how it's going.
Absolutely; you could for example mount the enlarger on the wall without the baseboard and instal a drop-down table underneath that locks into place when you need it (I’ve seen this setup). A tray ladder for the trays if you can’t afford a Nova slot processor (or don’t want one), etc. Give yourself time to think through possible solutions.with a bit of creativity and ingenuity, quite doable.
Trying to have a wet space in there will be a nightmare. The only (and I mean ONLY) way to do this is to have the enlarger table backed up against the stairs so that you walk straight in, close the door behind you, expose the paper, put it in a print drum, then walk out and process the print in the adjacent room. This could actually work quite nicely, as you already have pegboard for easy storage of neg carriers, dodging tools, etc., and the room itself would easily hold a Beseler 23C or something similar where you could print medium format and expose up to 16x20.Sorry for the delay in response everyone, been busy finally closing on the house! I really appreciate you all taking the time to give me solid suggestions - means a lot! I’ve attached some photos of the closet itself. Hopefully this makes it easier to understand the space. I think it will be doable just a bit small. Hopefully I can make the room a bit longer one day.
Trying to have a wet space in there will be a nightmare. The only (and I mean ONLY) way to do this is to have the enlarger table backed up against the stairs so that you walk straight in, close the door behind you, expose the paper, put it in a print drum, then walk out and process the print in the adjacent room. This could actually work quite nicely, as you already have pegboard for easy storage of neg carriers, dodging tools, etc., and the room itself would easily hold a Beseler 23C or something similar where you could print medium format and expose up to 16x20.
Good luck!
That's essentially what I did to separate my wet and dry spaces. I expose the paper in my dry space (a spare bedroom), put the exposed paper in a paper safe and walk to the wet space to process the print. It works out nicely and keeps my exposure to chemical fumes at a minimum (although I'm using a vertical slot processor so fumes are pretty minimal).That's what Alfred Steiglitz did although he was using large format film. Worked for him.
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