mesantacruz
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- Feb 21, 2013
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Hello everyone, looking forward to this...
I mentioned this in the previous round, but it might be worth repeating here as well just to give an idea using some actual numbers.
My print went from near Seattle, Washington to Oslo, Norway, sent USPS. It was dry mounted on 11x14 board with a custom matte and a backing board. It was boxed at 12" x 16" x 4" and filled with bubble wrap. The total postage cost was USD $22.30. It took eleven days to arrive.
I would think this cost to be near the high end, unless the destination was further from me than Europe. I do think that, in absolute terms, for sending something of that size one-third of the way around the world in under two weeks, it's not an outrageous cost. Factoring in affordability, however, is another story entirely.
Ken
> This one is too expensive for me...so I'm out, sorry guys...
Dear Stone,
in postcard exchage you have to send a card to every participant of that round, or you select a slightly smaller amount of cards. So you have to deal with 20-40 cards every round.
In BPX you have to send only one, but usually larger print.
Costs are not that expansive, if you avoid sendig a real huge print overseas. A decent print can be sent in a large enveloppe.
I wonder how much it would have cost to send it just north, to Canada.
I ponder this, because sometimes there seems to be no sense to the rates.
As a case in point, I recently sent a JOBO developing tank and 1000 series reel to an APUG member in the eastern US. He only needed the reel, but it was cheaper to send it in a box big enough for the tank then it was to send it in a box just big enough for the reel.
And the cost of sending that parcel was over $10.00.
So I'm thinking you may have a "lilypad" business opportunity hiding in there somewhere, Matt! What's your address again???
I will add that the post office lady did have to spend a few minutes looking up the cost from a huge book. She also seemed unsure as to whether she was correct. "Were you prepared for that [amount]?" she asked, as if seeking confirmation from me that she wasn't wrong. With six people waiting in line behind me I wasn't going to argue a few dollars one way or the other, so I replied "Sure."
After hearing the package contained a photograph and quoting me the cost, she then asked, "Why don't you just email it?" Sigh... Without breaking eye contact I slowly picked up the box and gently shook it. I'm not sure that registed, however.
Ken
OH!!
However again I don't wet print
I think I read I can use "lightjet" printing for chromes since Cibichrome isn't available anymore? What's lightjet? That may be my only option.
~Stone | Sent w/ iPhone using Tapatalk
Lightjets are one of the options available to labs who want to print digital files on to photographic paper.
Just check with your lab about the output product. If it is a print on a paper that was light sensitive and required chemical development, it is fine. The most common is either Kodak or Fuji paper suitable for RA4 process (or the equivalent) but there are remnants of other suppliers (Mitsubishi?) and Ilford/Harman make black and white paper designed for lab digital exposures and chemical development.
In essence, if the prints are not ink on paper, they are okay.
EDIT: And of course, the original "capture"must be analogue in nature (usually photographic film).
In essence, if the prints are not ink on paper, they are okay.
EDIT: And of course, the original "capture"must be analogue in nature (usually photographic film).
BTW: Bromoil printing isn't excluded, is it ??
I knew someone would come up with an exception to my attempt to simplify the answer.
As long as the ink is put down by an inkjet printer, I would think Bromoil will meet the criteria.
Bromoil printing doesn't involve any inkjet printing: you're the printer yourself! It is a very old printing process, wherein the silver in the image is replaced by ink. The Bromoil printing process was invented in 1907 be Englishman C. Welbourne Piper on a suggestion from E.J. Wall.
In short: print an image (conventional B&W print on a fibre based bromide paper from a negative), bleach, keep paper wet while stamping ink (any colour(s) you choose) on it with a special brush.
See: Making a Bromoil print for a better description.
It's one of my favorite alt-photo processes.
Bert:
I know.
Bromoils are beautiful, individual pieces of Art.
I just wanted to make sure that someone doesn't try to use an inkjet printer to try to make one for this exchange!
(Am I even allowed to use such words on APUG?)
Most certainly not.... /me wanders off to give Van Helsing a call...
However, this "ink on paper" discussion does raise a question about another process - Carbon prints. No intermediate silver based paper used, just whack a layer of India Ink on to a sheet of paper and expose (OK, ink is mixed with gelatin and the process is a little more involved).
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