You guys are amazing. Yes, I filter. No, I haven't had a particle problem (yet). Yes, I agree the paper coffee filters I'm using probably ain't as good as one of those metal types I should probably begin using:
https://www.amazon.com/dp/B0001IRRL...t=&hvlocphy=9007769&hvtargid=pla-274988584505 .
And yes, I've looked longingly at those same collapsible bottles. They're not expensive - so as kind as it is of you to offer and as much as it's appreciated, info and saving some of the pain and sweat equity in ascending the learning curve is far more precious than the saving a buck ( but thanks for the offer btw! ). You folks are too kind.. Where I've been paused has been over whether these things really work - and I guess you've answered that. You can in fact find some threads here fretting about the valves, and didn't want to have to attach a valve or remove one. Actually, I figured they were re-usable, but I'm not sure about that. Are they?
FWIW, I was drawn to XTOL-R as offering tonality and contrast consistent with Perceptol in many respects, but without the sacrifice in ISO speed. And as much as I liked the Pyrocat-HD in my few uses of it, side-by-side comparison with XTOL suggested the differences were really less striking than all the pyrocat-hd buzz suggested. And with a JOBO, I've put my fickleness over developers to bed, and I'm happy to say the output is good enough to push my attention elsewhere. Nice to have a stop back I'd otherwise given up toe Perceptol, too. And I like that.
Where I'm still squishy and haven't settled down yet is exactly which films in the 400 speed and 100-ish speed B&W departments I like best. Actually, I thought I'd settled (with Kodak TMY-2 and Ilford FP4) until satisfaction with Ilford's Delta 3200 led me to really reconsider the whole mess with a focus on Delta films. New offerings like Bergger's Panchro 400 and Ferrania P30 were fun to toy with, too. But longer term, unless my heart gets pulled somewhere, I'm tending to think I'll settle the mess down and go with the Delta's for B&W and Kodak Panchro's for color... but we shall see what we shall see, and the eyeballs rule. Yeah, I like slide film, but there aren't many choices there, and my efforts to remove the magenta from Fuji Velvia push me towards results that look like.... Portra! So why not cut to the chase and go there from the start?