I bought a bottle of Bellini selenium toner a while back to keep up at my cottage. It work just as good as the Kodak selenium toner down home. Yes, I would buy it again!
I use selenium toner on most every print. I'm after the increase in the blacks, and the color change more than worries about permanence. On cold neutral papers I use KRST mixed 1+3 (25%) warm tone, chloride papers require much more dilute solution. On occasion I will make up Kodak Blue Toner, gold, it's amazing to see it's effect on warm tone paper, it does make everything look good, cost is prohibitive.
I'm curious to hear what concentration members here are using with selenium toner and for what specific paper?
Kodak Selenium toner. Last year i finished a gallon I had bought 20 yrs ago.
My normal dilution is 1 + 19
I wish there were more cold tone papers around....

Basic fixers are said to be easier to wash off the paper because they keep the gelatin swollen. Acid environments tend to cause the gelatin to contract. That's why a basic fixer may theoretically be removed from the gelatin easier and faster. However, the biggest problem is removing the fixer and its by-products not from the gelatin, but from the paper's fibers. That's what the hypo-clearing agent is really useful for.
So personally I wouldn't skip the hypo-clear even if I used a basic fixer (which I do, actually).
I still don't understand why some selenium toners contain fixer. Assuming we start with a well processed print, there should be no silver halides there to fix, either before or after toning. So why add fixer to the toner?![]()
I still don't understand why some selenium toners contain fixer. Assuming we start with a well processed print, there should be no silver halides there to fix, either before or after toning. So why add fixer to the toner?
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