Andrew K
Member
I know this is a old arguement, and one that divides rangefinder and SLR users...
But what is YOUR favorite 35mm camera, and why?
I'll start - and I have 2 different ones ....for very different reasons..
Minolta SRT series.
My first "real" camera was a SRT100X. After many years I picked one up again, and fell in love with it again.
Yes, the viewfinder is dim, but the match needle works great, I can see all the viewifnder with glasses on, and all of the 5 or 6 different SR and SRT's models I own all work correctly. Plus I love the fact you can pick up lenses for them at bargain prices....
The second one - from the standpoint of a working photographer who used them professionally for over 10 years - is the Canon New F1.
Why?
- build quality - you can use them to whack a tent peg in if you can't find a hammer. You can use them in pouring rain and they stay working. And if you drop them they tend to dent things..
- they work with or without a battery. Sure, without a battery you only get 1/60th to 1/2000 & Bulb, but that covers most situations.
- they have an easy to use match needle system, plus offer built in Aperture priority (you can use aperture priority with a standard prism, but you can only see what shutter speed you are getting with a AE Prism). And if you add a power winder or motor drive you get shutter priority too..
- interchangable prisms, including the revolving speed finder. These are a bit odd to use - sort of like looking down a tunnel, but with glasses I could see the complete screen, with splenty to spare
- interchangable screens. Want to change metering pattern - change the screen. Maybe not as convenient as on a F4 or T90, but how often do you really change metering methods? Much handier was the ability to change to a grid screen (for copy work - to make sure you had everything set up square to your subject), or one of the special screens for use with slow lenses..
- Canon lenses. Yes - FD and New FD were breech mount, but once you got used to changing lenses you could easily do it one handed, and there were some great lenses. I was lucky enough to have owned a few of them ranging from a 14mm to a 500mm, and aside from the 500mm mirror and the 2 macro lenses they were all f2.8 or faster
- built to last....I had some ex press bodies that looked like cr#p, lots of brass and dents, but they all worked as advertised...
So there you have mine...I'm curious to see what others think
But what is YOUR favorite 35mm camera, and why?
I'll start - and I have 2 different ones ....for very different reasons..
Minolta SRT series.
My first "real" camera was a SRT100X. After many years I picked one up again, and fell in love with it again.
Yes, the viewfinder is dim, but the match needle works great, I can see all the viewifnder with glasses on, and all of the 5 or 6 different SR and SRT's models I own all work correctly. Plus I love the fact you can pick up lenses for them at bargain prices....
The second one - from the standpoint of a working photographer who used them professionally for over 10 years - is the Canon New F1.
Why?
- build quality - you can use them to whack a tent peg in if you can't find a hammer. You can use them in pouring rain and they stay working. And if you drop them they tend to dent things..
- they work with or without a battery. Sure, without a battery you only get 1/60th to 1/2000 & Bulb, but that covers most situations.
- they have an easy to use match needle system, plus offer built in Aperture priority (you can use aperture priority with a standard prism, but you can only see what shutter speed you are getting with a AE Prism). And if you add a power winder or motor drive you get shutter priority too..
- interchangable prisms, including the revolving speed finder. These are a bit odd to use - sort of like looking down a tunnel, but with glasses I could see the complete screen, with splenty to spare
- interchangable screens. Want to change metering pattern - change the screen. Maybe not as convenient as on a F4 or T90, but how often do you really change metering methods? Much handier was the ability to change to a grid screen (for copy work - to make sure you had everything set up square to your subject), or one of the special screens for use with slow lenses..
- Canon lenses. Yes - FD and New FD were breech mount, but once you got used to changing lenses you could easily do it one handed, and there were some great lenses. I was lucky enough to have owned a few of them ranging from a 14mm to a 500mm, and aside from the 500mm mirror and the 2 macro lenses they were all f2.8 or faster

- built to last....I had some ex press bodies that looked like cr#p, lots of brass and dents, but they all worked as advertised...
So there you have mine...I'm curious to see what others think