roteague
Member
Ole said:I wouldn't. I would buy a 150 Symmar, an APO-Lanthar, a Dagor, a Xenar and a 165 Angulon, and still have money left for film.

Ole said:I wouldn't. I would buy a 150 Symmar, an APO-Lanthar, a Dagor, a Xenar and a 165 Angulon, and still have money left for film.
While I was typing I realised I have all that - although I've sold the Symmar, and the Dagor is a 180m. But I still have a Serrac 6", and a 135mm Planar, a Heliar, an Eurynar, and a 150 f:3.5 Xenar Typ D, and a G-Claron , and... above that. And that's only in the 135 to 180mm range!roteague said:I don't blame you Ole. I admit that I prefer a smaller set of equipment than you do.
Ole said:While I was typing I realised I have all that - although I've sold the Symmar, and the Dagor is a 180m. But I still have a Serrac 6", and a 135mm Planar, a Heliar, an Eurynar, and a 150 f:3.5 Xenar Typ D, and a G-Claron , and... above that. And that's only in the 135 to 180mm range!
Still my total lens outlay is not much more than the price of one new lens.
Especially working outdoors in an area with vertical scenery. Can't move forwards, fall off a cliff. Can't move backwards, there's another cliff in the way. Geography, they say, is destiny.Ole said:Robert, I know from experience that the gap between 90 and 135mm is big enough to fit a lens in that makes a lot of difference. Mine's a 121mm - actually two different ones. :rolleyes:
Berween 80 and 135 I'd say you will definitely manage to find situations where one is too wide and the other too narrow.
carsten said:I am afraid to confess they look like very bad.
Ole said:No italics? Then it's worth a try![]()
Ole said:You can probably find one with good glass and a dead shutter for $50 on ebay. Having glass serviced is generally not cost effective.
Several of my lenses are combinations of one badly scratched, even cracked, lens with good shutte, and another with good glass and a damaged shutter. It very often costs less than a good lens in good shutter.
Another version is the "camera with lens" trick - keep the lens and sell the camera. I bought a complete Chr. Fr. Winter 7-element casket set that way for about $250 - casket sets alone go for at least $800...
carsten said:Umphf... it is a sad story, I have to throw my lens in the trash bin...
Ole said:- or sell it as a "soft portrait lens, for those romantic occasions - no soft filter needed!"![]()
Pragmatist said:Ole, thank you! I have a drawer full of old scratched, fungus-filled, and cruddy lenses that will have new life as special sports on eBay! I now have a fog-effect lens, a hemispherical flare lens... Sounds like top dollar to me!
carsten said:Yes! Or sell it like "very scratched and marked lens good to be sold as soft portrait romantic lens"!
PS just now I was using my zeiss tessar 4.7/150 in comparison with my 5.6/150 xenar. I will see the results in few days...
Is there any reason a priori why a relatively new Xenar shouldn't do better than a relatively old tessar? But then, you wrote "5.6/150 xenar." Ain't no such thing, did you mean some type of Symmar?carsten said:I do not know why but after checking my contact prints I prefer modern Xenar to the old Tessar...
Sorry for the question, but what does it mean the Apo prefix? Is something related to the glass? To the coating?
Carlo
Dan Fromm said:... But then, you wrote "5.6/150 xenar." Ain't no such thing, did you mean some type of Symmar?
...
Thanks very much for the correction. Won't make that mistake again.cperez said:Schneider still makes a very nice light small 150mm f/5.6 Xenar lens:
http://www.schneideroptics.com/photography/large_format_lenses/xenar/
I had one for awhile. V.fine optic, it was.
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