What do you think?
Nice!
I have some rolls in 135 which i have been shooting with 3 stop bracketing. Going to develop in RO9 and D76 to find which one i like the most. Tour XTol results are lovely, need to try that as well!
Hi!Wow these are beautiful, i really like the midtones. Its soft and gradual where as Tri-x i find is not so subtle. I need to go into my wallet i guess
Edit: A PDF with useful information from Bergger about the film.
http://bergger.com/media/wysiwyg/Fiches_techniques/Pancro400_en.pdf
I think your test frames are excellent, they agree with what I have found with the 4x5" Bergger film I have used. I find that Bergger 400 is very much like the late Fuji Neopan 400, excellent tonal rendition of subjects with a nice contrast kick that seems to be slightly different to any other film I have used.
I think you will be very pleased with prints and they should print easily, at least of what you have here. The Tri-X you have shown is also shot under similar conditions, as far as grain and other things, I think both films are quite close. Bergger in my opinion does seem to have an edge in that when one prints it, there is a terrific contrasty look, but with detail held in both shadow and highlight especially with images shot under nice portrait lighting as you have done here.
When my stock of Neopan 400 runs out, I will be switching to Bergger 400 for my 135 work.
Mick.
I think you take truly sensitive and charming portraits whatever the film!
^ probably not very helpful.
The Berger shots (to my eye) seem to have a wider gamut of tone (dynamic range? I don't know what is the preferred term for analogue photography) - very nice.
Great results, Antonio !
Your model is beautiful (as usual) - I like the wide range of midtones here.
I have 5 exposed rolls of Pancro 400 (2 of them exposed @Iso 1200) - I will try them with Xtol and Rodinal.
Thank you for sharing !
Hi, Lag!!Excuse me Antonio
In my opinion (of someone who is more visually pleasing with a more pronounced contrast) and bearing in mind that there are many factors in the middle, I find a slight lack of overall contrast that helps those midtones. I wouldn't say TriX anyway.
Sorry for the silly question: What's the colour of the rabbit in that T-shirt? White?
Looking at that Xtol info. (mix/time) I guess you used it at box speed. Did you use the recommended sulphite bath after fixing?
Congratulations, and thanks for posting!
Warm regards!
Hi!!Hmm! I posted a comment here on how I liked these shots and since I used Xtol Replenished would have to try this Bergger film. I then ask the OP if the scenes were metered reflective or incident. My post showed up in the thread no problem yesterday. Now I'm going through the thread after reading it last night and my post has vanished. Did I do something wrong? I'd like to know and I still would like to know how the scenes were metered.
Hmm! I posted a comment here on how I liked these shots and since I used Xtol Replenished would have to try this Bergger film. I then ask the OP if the scenes were metered reflective or incident. My post showed up in the thread no problem yesterday. Now I'm going through the thread after reading it last night and my post has vanished. Did I do something wrong? I'd like to know and I still would like to know how the scenes were metered.
Thanks, I was just curious. They turned out great that's for sure.Hi!!
I don't know why your post has vanished. Sorry.
I metered the reflected light on my daughter angelical face
Cheers!
Antonio
No, I didn't ask Sean. I was just wondering if anybody else has had this happen? I didn't use any foul language or anything of that nature. I'm capable, but didn't!A moderator would certainly have told you personally if you did anything inappropriate, don't worry. So there might be a technical problem with the forum instead? Did you ask our host Sean? I too saw something appear and disappear in an other (unrelated) thread.
Hi!
Regarding to the "recommended sulphite bath after fixing" ... I think that I'll try "Tetenal Lavaquick" Any other ?
Cheers!
Antonio
There is a newer PDF with mention to 135 and 120 formats, but it is about the same thing:Wow these are beautiful, i really like the midtones. Its soft and gradual where as Tri-x i find is not so subtle. I need to go into my wallet i guess
Edit: A PDF with useful information from Bergger about the film.
http://bergger.com/media/wysiwyg/Fiches_techniques/Pancro400_en.pdf
It has: (there was a url link here which no longer exists)Antonio, congratulations on your beautiful shots! I hope the Pancro holds up as well in 35mm. Your work has made it look like an amazing film stock. I have had good luck with Acros in XTOL, so glad to see it carries over to Pancro.
Pete
This has happened to me also, I think I must have missed up the posting procedure, or the forum software has a grudge against me.No, I didn't ask Sean. I was just wondering if anybody else has had this happen? I didn't use any foul language or anything of that nature. I'm capable, but didn't!
I'm not convinced about the hype...Bergger is touting that the 400 Pancro film is: "a mix of two panchromatic emulsions based on silver-bromide and silver-iodide, both differing from each other in grain size." I thought that having multiple emulsion layers with different grain/speed was the norm with modern BW films. Is there something fundamentally different that Bergger is doing with this film?
My first essays... The film has a 'blanco' of 0,20 density versus FP4+. What is the reason? X-tol works well with T-max 400, so no no problem of the developer.Beautiful results with this combo Antonio. Is x-tol in the mean time a reliable developper? I will try it this w-e but has no experience with the x-tol.
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