If you're mostly interested in projection, I'd go with 645 or Super Slide. If you print or scan and print, 6x7 would be my choice.
If you are unsure, or like the freedom to choose after the fact, Mamiya RB 6x7, Hasselblad, and probably Bronica all have backs that will give you Super Slides when you want, and 6x6 or 6x7 if you prefer. Best of both worlds.
I was also going to suggest one of the 4x4cm twin lens reflex cameras, but you'd want to research 127 slide film first. I shoot occasionally with a Yashica 44, but only B&W and I order Efke film from Freestyle but I haven't checked the availability of color.
JD
pentaxuser's comment is most relevant if you limit your slide projection to just an 8" x 10" screen!
Actually, I think he is commenting as much about how good 35mm projection systems can be, rather than any perceived problem with MF projection.
In addition, historically there was a long period of time when the arguably best film for projection - Kodachrome - was only available in 35mm.
If you are projecting (enlarging) to "a few metres across", there is a visible difference between 6x4.5 and 35mm. You might see more of that difference though if you use a good screen rather than a painted wall.
You haven't bought any 127 Efke in a while, have you? Because it hasn't been offered in a while, since Efke went under and they sold out.
You can get film made by Maco and repacked to 127 in Japan and you can get color neg that is Portra cut down and repackaged in Canada. There's a thread about this that I was in recently after inheriting my mother's 127 Brownie. But I'm not aware of any slide film. You could probably reversal process the black and white.
There is very little visual impact difference to the viewer between 35mm and 6x4.5. (True, the image quality of the 6x4.5 is better but that is lost on the majority of viewers.) For the wow factor you need to put up a square, screen filling image from a 6x6. The best use for 6x4.5 is to use the little accessory cutter Mamiya made to cut super slides in one stroke out of them. Throw a super slide into a 35mm show and watch the response from the viewers. I have numerous 35mm cameras and 4 projectors, and 3 6x4.5 and 4 6x6 cameras and 3 projectors. I've done more than a few slide programs for large groups. I also have several 6x9 cameras and use a boardroom lantern slide projector for them, but, that is a whole other ballgame.
I'm completely confused now!
Some of you are saying projected 6x4.5 will look a lot better than projected 35mm, others are saying there's very little difference!
Tom
There is very little visual impact difference to the viewer between 35mm and 6x4.5. (True, the image quality of the 6x4.5 is better but that is lost on the majority of viewers.) For the wow factor you need to put up a square, screen filling image from a 6x6. The best use for 6x4.5 is to use the little accessory cutter Mamiya made to cut super slides in one stroke out of them. Throw a super slide into a 35mm show and watch the response from the viewers. I have numerous 35mm cameras and 4 projectors, and 3 6x4.5 and 4 6x6 cameras and 3 projectors. I've done more than a few slide programs for large groups. I also have several 6x9 cameras and use a boardroom lantern slide projector for them, but, that is a whole other ballgame.
As far as I know, no one is currently making 6x7 slide mounts, which would be a slight problem. Of course you can always crop 6x7 negatives to 6x6 if you plan accordingly.
Another consideration might be the "Super slide" format which is 4x4 cm, these can be used in a standard 35mm projector. They are very impressive compared to standard 35 slides.
Super slide backs for Hasselblads are very cheap, though it's not a particularly economic use of the 120 roll film image area. The backs give you 16 frames on a roll of 120. Or you could always crop to that size using a 645 or whatevef.
Yes, that is the problem with the whole concept... Unfortunately. The good old days of slides and slide shows are a good but distant memory.
Ok, I've decided I'll start with a 645 camera - most likely a pentax 645n.
Regarding projectors, are 6x45 projectors and 6x6 projectors the same thing? Any recommendations? I'm thinking of a rollei p66, which a lot of people mention.
Tom
The Rollei P66 is a good choice. You may even be able to find a bargain in a P11 which will give you the ability to project 6x6, 35 (and superslide) all in one. I'll attach the Rollei guide to lenses/projection distance/screen size which you may find useful in your selection.
my local camera store today had a pretty good condition rollei P66S projector with the basic lens and one cartridge and the wired remote for $99. good deals can be found if you get lucky
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