Diapositivo
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Grandi!
Love the last few seconds, there. He's down to an error of 1/100 of a mm on the surface flatness, and just getting ready to start the real precision work on the part.
so are there any other stocks in he production plan? between P30 and FerraniaChrome2019? (if their are I know you don't want to speciy details.)
Now I know why it's taking so long, to many people looking at the girls on the locker.
OK, so that's a definite, you will have Ferraniachrome in 8 mm up through 8x10 sheet and Polacolor pack film by the end of 2019. Go Team!We certainly have a wish list, as well as some ideas about a timeline.
But speculating about the potential future has proven to be, at minimum, not exactly the right way to conduct our communications.
Plus, we are still a very tiny team and we need to stay focused on what's happening right in front of us.
That said - yes we have a plan and yes there are other stocks in that plan.
OK, so that's a definite, you will have Ferraniachrome in 8 mm up through 8x10 sheet and Polacolor pack film by the end of 2019. Go Team!
Best Regards Mike
I think 1st goal is produce a product that will pay the bills. The E6 stuff is got to be down the list. Make some nice P30 or anything that pays the bills and the salaries. If it's E6 that would be great. But, if they had all the E6 8 and 16mm in the world, I would be surprised if that was enough. The original plan of slicing up existing material was a bust.I would be quite happy to see the sizes that they featured in the original kickstarter, plus regular 8. (even if the regular 8 was only in 100 ft or 400ft rolls.) I am most likely to use E6 film in 16mm and 35mm slide format.
Things are moving forward. Film is coming soon.
http://www.filmferrania.it/news-articles/2019/the-workshop
I would be amazed to see any color reversal film. My recommendation to Ferrania would be to focus on survival. The Kickstarter was a crap shoot anyway. If I understand the current situation, there are private equity investors now. That's probably their 1st priority.I almost finished the P30 I had and I need more product. I was also an original backer from 2014, do I still have to expect the four color films that were then in discussion?
Unfortunately, we don't know whether the total investment was $100 or $1,000,000.If I understand the current situation, there are private equity investors now.
I would be amazed to see any color reversal film. My recommendation to Ferrania would be to focus on survival. The Kickstarter was a crap shoot anyway. If I understand the current situation, there are private equity investors now. That's probably their 1st priority.
I think 1st goal is produce a product that will pay the bills. The E6 stuff is got to be down the list. Make some nice P30 or anything that pays the bills and the salaries. If it's E6 that would be great. But, if they had all the E6 8 and 16mm in the world, I would be surprised if that was enough. The original plan of slicing up existing material was a bust.
Just get the machines going and get some profit to sustain the plant and employees.
The saving and continuing refurbishing and preservation of the equipment and site should be reward enough for the analog community. Kodak imploded buildings and destroyed equipment all around the world. Not out of a desire to destroy, but in an attempt to manage and repurpose assets.You make a good point that it seems many people have forgotten.
The original plan was pretty simple. Use a single window of opportunity to make one big batch of E6 from existing components (not existing material) prior to the factory being taken out of our hands for refurbishment.
We also wanted to secure a lot of equipment before it was destroyed.
Hence the Kickstarter. Help us buy the equipment for future use, get a bit of film from the one big batch we were preparing to make.
For reasons out of our direct control, the window was closed before we could make the batch.
We put major effort (and money) into continuing the E6 plan until, in early 2016, it became clear that:
a) the factory itself was both functionally and legally much different than it was in late 2014 - so that returning to the original plan was pretty much out of the question
b) the existing components, which we were in the process of purifying back in early 2015, were unusable by the time our team came back to the factory in mid-2016.
We have published all of this before, but over time, it gets lost.
Maybe a summary or an overview is due...
Maybe a summary or an overview is due...
From that statement it appears that we should all be happy that there is a wonderful Ferrania museum.The saving and continuing refurbishing and preservation of the equipment and site should be reward enough for the analog ..
Maybe that someone starts an initiative to bring film back to the cinema, Kodak maybe? Film Ferrania? Question is, what are the advantages of photochemical prints.
The very wound of the market is that movie theaters no longer play film. That’s what the film manufacturers could make many miles of stock for, Agfa-Gevaert, Eastman-Kodak, Fujifilm. Printers are not busy today. People no longer watch movies subtractively in white light but mixed additively on LC and LED displays. Cinema as it was invented and developed has become a museum piece and the generations growing up today and tomorrow don’t know it. Maybe that someone starts an initiative to bring film back to the cinema, Kodak maybe? Film Ferrania? Question is, what are the advantages of photochemical prints.
Are you sure Andrew? I believe that the local IMAX theatres have all converted to digital IMAX projection - but I would be happy to learn I am wrong.I still watch film at IMAX theatres. At least we still have that!
Are you sure Andrew? I believe that the local IMAX theatres have all converted to digital IMAX projection - but I would be happy to learn I am wrong.
I expect (and hope!) that you are correct.As far as I know, Langley and Richmond's theatres have 15/70 and 2K digital.
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