Raghu Kuvempunagar
Allowing Ads
@Raghu Kuvempunagar - do you adjust first developer time if using thiourea as a nucleating agent instead of as a fogging developer?
I didn't have to but I've tried only on Kodak Double X and the previous generation Orwo UN54. You may need to adjust the acidity and duration of nucleating bath for your film. The less acidic the nucleating bath the warmer the positives as more silver sulphide specks are formed. Try first on non critical film with exactly the same steps as your tested process except for the light exposure which is now replaced by the nucleating bath.
Thanks! It is instead of a fogging developer though
Just as one would use a normal second developer after light exposure, here also one would do the same. Only light exposure is replaced by the nucleating bath. Hope this is clear
You can reduce acetic acid to get more warmth. I think I mentioned this in one of my previous posts - "the less acidic the nucleating bath the warmer the positives as more silver sulphide specks are formed." By reducing the amount of acetic acid used, you can make the bath less acidic.
Before you do further changes to your process such as thiocyanate concentration in FD, FD development time, etc. you can perhaps do a simple test. Take a piece of unexposed film, put it in the nucleating bath for 2-3 minutes, develop and fix. Check the result. Ideally it will be very dense blocking most of the light when you hold it against a light source. OTOH if it is too thin, then no change in the earlier steps of reversal process can give you good blacks. Also, this test will give you an idea of the dark tones that are possible if you repeat the test with varying concentration of acetic acid.
Nucleating bath shouldn't be longer than necessary as there is the risk of losing some halides due to the formation of soluble Thiourea-silver halide complexes. I suggest keeping the nucleating bath to 2-3 minutes.
Related work which discusses a nucleating bath made using 1000 ml of water, 5 ml of glacial acetic acid and 0.4 g of thiosinamine (allyl thiourea):
Quoting from the patent:
"Suitable odorless sulfur compounds for producing silver sulfide nuclei are, for example, thiourea and its derivatives"
"The process is suitable for the reversal development of any black-and-white or color picture"
"These acid baths have further the great advantage of a much Ionger duration than the hitherto known neutral or alkaline baths. The nature of the acid used is without importance; its pH-value being alone decisive."
Not really sure if this going to solve any of the problems you're facing, but since you asked for my formula, here it is: 5 g Dithionite + 5 g Sodium Carbonate + 500 ml water. It should be used immediately after mixing, redevelop for about 10 minutes with sufficient agitation (initial 30 seconds continuous agitation followed by 2-3 inversions every minute thereafter).
@grainyvision who tinkered with Dithionite a lot more than me suggested another formula for fogging redeveloper: 1 tablespoon of ascorbic acid, 2 tablespoons of baking soda, and 2 tablespoons of iron out. I haven't tried this formula and not sure if it will solve your problems, but sharing with you for your reference.
The top-part darker than bottom-part issue is probably a processing error.
Im curious to see if I can leave out fixing if I mix dithionite myself instead of using IronOut. IronOut does give good results though as long as I fix.
If you saw the reddit link I shared in my previous post, @grainyvision seems to have got good result with Iron out without needing to fix. So I take claims that fixing is necessary to get clear highlights and good contrast with a little bit of scepticism.The issue that you are facing with IronOut might be due to inadequate development of highlights in the first developer. Have you tried developing a little longer than your standard development time and/or increasing the amount of thiocyanate in FD by a small amount?
Thanks - yes, I saw the reddit linkI have developer with longer FD time, more thiocyanate and both - but all of that is overkill. I'll try increasing agitation with Iron Out and see where that takes me - and maybe time as well. More like you do - Ive been agitating 4 times initially and 4 times half way (total time 6 minutes).
You might also want to try @grainyvision's redeveloper and see if it fares any better.
Hi!
Chiming in with a basic question: Are you guys doing all this processing at room temp? Especially the redevelopment in the thiourea mix.
Might as well try myself but still waiting on the thiourea to get shipped and wondering if I should get a sousvide or similar.
Hi!
Chiming in with a basic question: Are you guys doing all this processing at room temp? Especially the redevelopment in the thiourea mix.
Might as well try myself but still waiting on the thiourea to get shipped and wondering if I should get a sousvide or similar.
Unfortunately, I was out of home during the holidays but I'm currently getting back to it. My first 2 test were terrible failures but I did do them in a rush before I left. However, for my formula I'm trying to use a peroxide based bleach instead of the classic permanganate/dichromate bleaches to make the process safer, but I'm not sure (or can't recall) if someone has used this 2 chems together for reversal, most peroxide bleach reversal are done re-exposing with light, so this might be my point of failure. Also note that this is my first time doing any type of developing, so I'm sure that doesn't help either.As someone that is interested in this process please do update us once you try. It seems to me that even if this process can’t give you maximum dmax it should result in positives that have their own look. Plus, they would probably be easier to scan than the super dense versions many people aim for.
I remember in the early 70's I ordered several Navy Surplus sepia toned reversal developing kits from a surplus company. I used them to process 8 and 16mm movie films and they worked very well. They were a standard high contrast developer, the normal dichromate sufuric acid bleach, clear, but then there was a sufide sepia toner with the common rotten egg smell that replaced second exposure and development. So the movies were sulfide sepia toned, which makes them look better in my opinion as well as much more permanent. Transparencies for projection are subject to much higher light levels than most photo materials, so the stability is an important factor. A sepia toner would be easy to mix and inexpensive, but probably should be used outdoors.Hi all,
I know that thiourea/toners have been used as a fogging developer in the black and white reversal process. But, when reading about reversal processing in Haist he presents a process that consist of first developer, bleach, and the thiourea fogging developer. No clearing, no re-exposure and no fixing.
Cheers
Peter
Unfortunately, I was out of home during the holidays but I'm currently getting back to it. My first 2 test were terrible failures but I did do them in a rush before I left. However, for my formula I'm trying to use a peroxide based bleach instead of the classic permanganate/dichromate bleaches to make the process safer, but I'm not sure (or can't recall) if someone has used this 2 chems together for reversal, most peroxide bleach reversal are done re-exposing with light, so this might be my point of failure. Also note that this is my first time doing any type of developing, so I'm sure that doesn't help either.
View attachment 415402
one of my test strip failures, this was supposed to be a portrait.. .
FIRST SUCCESS... Sort of...
Managed to get this image
View attachment 415442
Incredibly contrasty and possibly overexposed?
Interesting tint, a little more aggressive than I would have liked, but I know thiourea is a sepia toner after all.
The formula:
At room temp (20c)
Dev Ilford RT2000 (1+4 Dilution) - 60s
Stop Bath (480ml Water + 20ml Vinegar) - 30s
Peroxide Bleach (500ml 18% + 4g Citric Acid) - 120s
Water Bath - 60s
Thiourea (16g Sodium Hydroxide, 2.5g Thiourea, 500ml Water) - 60s
Accidental second Bleach - 30s
Was working in total darkness as my paper fogged under safelight, so I mistakenly dunked it in bleach again in the end...
I'm using pancromatic, rc, graded (not MG) ilford paper. For safelight I tried a red 620nm LED from amazon, and it worked with some Ilford MG paper, but for the panchro paper it didn't :/Whoops! I hadn’t read back on the thread. Didn‘t realize you are doing paper reversal. Which paper are you using? If it is MC you can try putting a yellow filter on the lens to help reduce contrast. What safelight are you using? I can’t think of any papers that should fog under OC or red light these days. I have been out of the loop for quite a while though.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?