B&W Reversal: thiourea as fogging developer?

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DeletedAcct1

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Do you fix when using thiourea as a fogging developer? I found it necessary to fix when using dithionite.

Theoretically no, as long as the fogging+redeveloper is done to completion. But you safely use a 1+9 diluited rapid fixer for a couple of minutes just to be safe. It does no harm at all.
 
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pkr1979

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What exactly do you mean when you say "I found it necessary to fix when using dithionite"? Did you measure and find out any difference in density before and after fixing?

On the 2 last frames of the roll I shoot the exact same photo, with the same settings, in the same light. Before fixing cut off one of them while fixing the other. They were quite different:

IMG_0040.jpg

IronOut (dithionite) for 6 minutes. 4 initial inversions and 4 more half way (about 20 degrees). The one at the left is fixed.
 
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IronOut (dithionite) for 6 minutes. 4 initial inversions and 4 more half way (about 20 degrees). The one at the left is fixed.

Any reason why you went with minimal agitation? Even Kodak 's documentation for using FD-70 second developer, Dithionite based, recommends you to "agitate continuously during the first 30 seconds in each solution and for 5 seconds every minute thereafter."
 
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pkr1979

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Any reason why you went with minimal agitation? Even Kodak 's documentation for using FD-70 second developer, Dithionite based, recommends you to "agitate continuously during the first 30 seconds in each solution and for 5 seconds every minute thereafter."

Thats what Ive been told was the way to do it by others who use Iron Out.
 
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pkr1979

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Minimal agitation looks too weak for me, but you can always try what Kodak recommends (intermittent agitation and longer second development time) and find out if it makes a difference to your slides.

I also once fixed a 120 slide after getting a tip on that it should be done, even when using dithionite. That also changed density. Back then I tid agitate 10 seconds every minute with Iron Out too.
 
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Dithionite in alkaline medium is a very powerful reducing agent, supposedly stronger than both Thiourea and Sodium Sulphide. It is unlikely that a treatment in alkaline Dithionite will leave any silver halide untouched. So, what the fixer is removing, I suspect, is not the residual silver halide but some of the metallic silver itself. Note that Dithionite reduces silver halide to metallic silver and the silver specks are very small compared to the negative image as all the big grains have been reduced already by the first developer and removed by the bleach. And these very fine grained silver specks are very likely removed by the relatively strong fixer and thereby lightening the slide in some instances.

Interestingly, even the purest Dithionite available has substantial Thiosulphate as impurity and one of the degradation products of Dithionite in aqueoues media is also Thiosulphate. So, if Dithionite couldn't reduce some halides for any reason, Thiosulphate in the same solution would have removed them even before the fixer touched the positive image.
 
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pkr1979

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Dithionite in alkaline medium is a very powerful reducing agent, supposedly stronger than both Thiourea and Sodium Sulphide. It is unlikely that a treatment in alkaline Dithionite will leave any silver halide untouched. So, what the fixer is removing, I suspect, is not the residual silver halide but some of the metallic silver itself. Note that Dithionite reduces silver halide to metallic silver and the silver specks are very small compared to the negative image as all the big grains have been reduced already by the first developer and removed by the bleach. And these very fine grained silver specks are very likely removed by the relatively strong fixer and thereby lightening the slide in some instances.

Interestingly, even the purest Dithionite available has substantial Thiosulphate as impurity and one of the degradation products of Dithionite in aqueoues media is also Thiosulphate. So, if Dithionite couldn't reduce some halides for any reason, Thiosulphate in the same solution would have removed them even before the fixer touched the positive image.

How does this differ from a 'regular' reversal process where you use light and a regular second developer? I will say that fixing after Iron Out does improve the overall image. And the one example here, as you can see, also changed tone in addition to density.
 
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pkr1979

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I mean, wouldnt we want the fixer to remove whatever it is removing (ie residual silver halide) when using dithionite?
 
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pkr1979

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And, is what you are describing likely to occur also with thiourea?
 
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I will say that fixing after Iron Out does improve the overall image. And the one example here, as you can see, also changed tone in addition to density.

Very fine silver grain can impart colour to the image. But I am not sure that's what is happening in your case. Though the slide looks slightly better due to lightening, it appears that the density in the unexposed areas also reduced after fixing and thereby reducing DMax substantialy. Only you can tell for certain as observations made from a phone snapshot might not be accurate.

I have not had problems getting very clean highlights with Dithionite as the second developer unlike the results you shared above. But the films could be different and Dithionite I used was not Iron Out.
 

relistan

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Ive found that when using dithionite fixing is necessary.
Yeah, and it’s going to always be a good idea to fix and wash at the end if you want maximum longevity, regardless of preceding process. Even if it’s possible to reach all the undeveloped halides with the fogging developer (which I doubt) any process problem will result in darkening slides.
 

Ivo Stunga

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On the 2 last frames of the roll I shoot the exact same photo, with the same settings, in the same light. Before fixing cut off one of them while fixing the other. They were quite different:

View attachment 397938

IronOut (dithionite) for 6 minutes. 4 initial inversions and 4 more half way (about 20 degrees). The one at the left is fixed.

Years ago I did the same testing with Ilford Reversal just to see for myself through an experiment what happens. So I reversed the film up to Fix stage and cut my film in two: 1/2 gets fixed as usual, but 2/2 skips the fix stage. I observed similar behavior - very noticeable differences in image tone and DMAX.

Unfixed slides look very warm, are denser and extreme highlights aren't really clear to the base, but the look is completely passable if not preferable.
Fixed slides look way more neutral and comparing to unfixed - loose some DMAX. Which is completely fine as the reduction of density can be accounted for in the 1st development stage.

Based on my testing and my use case where film gets blasted with tons of light and base-bending heat during projection (torture) - I strongly disagree with the claims that slides can be left unfixed. I deem such an idea quite irresponsible for long term storage/use, because projected slides get that much more abuse compared to negative which just chills there and waits for occasional soft enlarger or scanner light.

If there wasn't anything for the fixer to do, the image wouldn't change at all, right? But it does and quite drastically. So I fix every time and get a solid DMAX nonetheless.
 
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pkr1979

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So!

Just tried with thiourea as fogging developer (2g Thiourea+10g Sodium Hydroxide/L). The first thing I'll say is that its so much more convenient to use stable components (thiourea) instead of unstable ones (IronOut/dithionite or Stannous Chloride). Furthermore I'll say that the results are (slightly) better than with IronOut - got deeper blacks and brighter whites. And, I cant tell the difference between fixed slides and slides I did not fix.

I do have a couple of questions though. Does anyone know what I can expect if I skip clearing after bleaching?

The slides are sepia (as expected). Tonality-wise they almost look like they are developed in Pyrocat HD. @koraks - what would you expect would happen to the tonality if increasing the amount of sodium hydroxide (if you'd expect anything at all I mean)?

I might also try to use @Raghu Kuvempunagar recipe for thiourea as a fogging/nucleating agent (https://www.photrio.com/forum/resou...-nucleating-agent-for-second-development.447/). Ragu - as far as I understand som films provide a warm tone and others neutral. How warm are the warm tone ones compared to a film developed in in a thiourea fogging developer? And, is there a way to assume which films will be warm toned and which one will be neutral?

Cheers
Peter
 

koraks

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what would you expect would happen to the tonality if increasing the amount of sodium hydroxide (if you'd expect anything at all I mean)?

Nothing, really. Bringing the hydroxide down will give more sepia/yellow, but I think you can't really go in the opposite direction any more than what you've already got.
 
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pkr1979

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Nothing, really. Bringing the hydroxide down will give more sepia/yellow, but I think you can't really go in the opposite direction any more than what you've already got.

Thanks! Is there any other purpose of the sodium hydroxide than making the slide more or less sepia or yellow?
 

koraks

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The hydroxide is necessary AFAIK to make the thuourea actually do anything. If you leave it out, I think the thiourea will slow down to a crawl and the result will be very pale yellow.
 
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pkr1979

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The hydroxide is necessary AFAIK to make the thuourea actually do anything. If you leave it out, I think the thiourea will slow down to a crawl and the result will be very pale yellow.

Got it - thanks :smile:
 
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pkr1979

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So!

Just tried with thiourea as fogging developer (2g Thiourea+10g Sodium Hydroxide/L). The first thing I'll say is that its so much more convenient to use stable components (thiourea) instead of unstable ones (IronOut/dithionite or Stannous Chloride). Furthermore I'll say that the results are (slightly) better than with IronOut - got deeper blacks and brighter whites. And, I cant tell the difference between fixed slides and slides I did not fix.

I do have a couple of questions though. Does anyone know what I can expect if I skip clearing after bleaching?

The slides are sepia (as expected). Tonality-wise they almost look like they are developed in Pyrocat HD. @koraks - what would you expect would happen to the tonality if increasing the amount of sodium hydroxide (if you'd expect anything at all I mean)?

I might also try to use @Raghu Kuvempunagar recipe for thiourea as a fogging/nucleating agent (https://www.photrio.com/forum/resou...-nucleating-agent-for-second-development.447/). Ragu - as far as I understand som films provide a warm tone and others neutral. How warm are the warm tone ones compared to a film developed in in a thiourea fogging developer? And, is there a way to assume which films will be warm toned and which one will be neutral?

Cheers
Peter

@Raghu Kuvempunagar - do you adjust first developer time if using thiourea as a nucleating agent instead of as a fogging developer?
 
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