B&L Protar V 113mm f/18-32?

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Dave Wooten

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Just discovered I had this lens in storage-any info on this? I will try to put it on a board this week and check coverage. I can not find any info in my literature on this focal length.

It is a very tiny lens (also I will check with magnifying glass it might be 118 mm instead of 113, the paint is a bit thin and my bifocals a bit thick)

Thanks for any discussion

Dave in Vegas
 

Ian Grant

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I bought a Ross (London) Air Ministry f16 5½" 141mm lens off Ebay a few weeks ago.

Like your lens mine is tiny, it does actually cover 10"x8" with room for movements. Usually lenses of this type from Ross are licensed Ziess Protar designs and marked as such, but I guess there was a point when Ross didn't pay royalties during WWII.

The equivalent Zeiss Protars were always f18 while the Ross Protars were f16. Interestingly the Protar is a derivation of a Ross design that was licensed to Zeiss.
 
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Dave Wooten

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thanks for the info Ian,

I will try and get it on the 8 x 10 this week and see how much it covers.

Any idea what the colored dots are?
 

jimgalli

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Dave, According to my 1913 B&L catalogue a 4 7/16" Series V is recommended for 5X7 and will cover 8X10 at "small stops". They were a 110 degree design. Always heard that you focus in the corners with these and then stop down like hell. I'll bet it would be an interesting lens on 4X10.
 
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Dave Wooten

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Thanks jim,

I'm going to check tomorrow on the 8 x 10....I think I will have to put it on a recess board to do it,
 

ongarine

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Hello Ian,
I'm curious about old lenses.
Which was the design Ross licensed to Zeiss for the Protar f 18?
110 mm. Protar could cover 8x10, not always, it depends from the makers.
A recessed board is nedded to allow you the focusing.
 

Ian Grant

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The Protar of 1890 is derived from the Ross Concentric and the Dallmeyer/Steinheil Rapid Rectilinear lenses.

The 1880's & 90's was the time of major developments in lens design due to the introduction of new high dispersion glasses from Abbe & Schott. So over a period of a few years many major designs were introduced. These included the Protar 1890, Goerz Dagor 1892, Cooke Triplet 1893, Zeiss Double Protar 1894, Zeiss Tessar 1902.

Of course Ole & Jim can fill you in a little better as they still have the catalogues from their youth :smile:

Can't comment about the 110mm Protar's coverage, my 141mm fits without a recessed board on my 10x8 and as expected will cover more anyway.
 

Ole

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Ian Grant said:
Of course Ole & Jim can fill you in a little better as they still have the catalogues from their youth :smile:

"Protar" is a whole family of lenses. In general the f:18 is the wide-angle version, which according to contemporary literature give an image circle of three times the focal length. My "contemporary literature" is very critical of manufacturer's claims, but maybe not as critical as present-day Schneider are of their own specifications. Translating this into something resembling a language: The f:18 Protar gives good resolution over an image circle of three times the focal length - for contact prints or a small degree of enlargement. Don't expect a 11cm Protar to perform like a 110mm Super-Symmar XL. Then again size, weight and price is but a fraction.
 

Seele

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Ian Grant said:
The Protar of 1890 is derived from the Ross Concentric and the Dallmeyer/Steinheil Rapid Rectilinear lenses.

Ian, the asymmetrical Protars, originally named "Anastigmat", were very different from the Concentric and RR/Aplanat (by the way Dallmeyer originally named the RR "Aplanatic" but changed it at the last minute: I have seen the original stock book from 1866 so can vouch for that).

I have a Ross Concentric lens, which seems to be in the hen's teeth category, and I can say that in design and performance, it is a completely different kettle of fish from the Protars.

And I also have the same Protar V, by Carl Zeiss, in dialset Compur. I normally use it as a slighty-wide lens for 4X5 with extensive movements and it is indeed completely satisfactory on both black-and-white and colour.
 

Ian Grant

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Seele said:
Ian, the asymmetrical Protars, originally named "Anastigmat", were very different from the Concentric and RR/Aplanat
Yes different but derived from the two.

To quote "The Zeiss Protar (1890) which combined in effect the front half of a Rapid Rectilnear (old Achromat) with the rear half of the Concentric (new Achromat), and yielded a wider field, was the first lens to bear the name "Anastigmat".

So not really so different after all. Then the Double Protar is a symmetrical lens each half of the lens again derived from a reworked combination of RR & Concentric elements again and each half is a full lens in it's own right, and of course thats why they became so versatile.

If you look at the lens designs it's very clear.

I should add that our lenses are almost certainly Double Protars and very different to the original Protar. Hence why so diferrent to your Concentric. Should add that the Protars, Dagors, Double Protars etc were a major advance on RR & Concentric lenses optically.

Protar type lenses are still manufactured, unfortunately no Dagors . . . . .
 

Seele

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Ian Grant said:
Yes different but derived from the two.

To quote "The Zeiss Protar (1890) which combined in effect the front half of a Rapid Rectilnear (old Achromat) with the rear half of the Concentric (new Achromat), and yielded a wider field, was the first lens to bear the name "Anastigmat".

So not really so different after all. Then the Double Protar is a symmetrical lens each half of the lens again derived from a reworked combination of RR & Concentric elements again and each half is a full lens in it's own right, and of course thats why they became so versatile.

If you look at the lens designs it's very clear.

I should add that our lenses are almost certainly Double Protars and very different to the original Protar. Hence why so diferrent to your Concentric. Should add that the Protars, Dagors, Double Protars etc were a major advance on RR & Concentric lenses optically.

Protar type lenses are still manufactured, unfortunately no Dagors . . . . .

Ian,

You have a point there, but my point remains:

By saying "in effect", it was referring to the actual doublet construction. At first the Chevalier-type doublet had a positive element on the convex side and a negative on the concave or flat side, then the Grubb-type doublet reversed this arrangement with a negative element on the convex side which became more or less the norm. The Aplanat-type lens combined two relatively thin Grubb-type doublets arranged around a central stop, but it came out decades before the introduction of the Jena glass. In fact the first application of Jena glass to photographic lenses was by Voigtlander who employed it to a version of the Euryscope, its Aplanat-type lens, the benefit was most doubtful as it could not eliminate astigmatism at all.

The Ross Concentric, while often claimed as the first anastigmat design employing Jena glass but failed to hit the market until 1892, did not prove satisfactory because it had astigmatism and field curvature corrected, but neglected to correct for spherical aberration: sort of two steps forward but two steps back. The Concentric was also purely symmetrical with a pair of closely-spaced doublets of Chevalier-type.

I do not know the source from which your quote was taken, but I presume it was not from contemporary official sources; all I have in my possession were copies of original catalogues (Zeiss 1891 and 1902), contemporary dealers catalogues, contemporary reviews, actual examples and test negatives I did myself.

But there again it is often assumed that the asymmetrical Anastigmat/Protar was invariably a four-element lens; some versions actually had a cemented triplet at the back. While the front doublet remained a Grubb-type using the then conventional crown and flint combination, it has very little positive power, the rear group used one (or two, in the case of versions with a triplet rear) Jena baryta crown, partnered with a flint negative, to produce an anastigmatically flat field and most of its positive power.

The Double-Protar is again a completely different kettle of fish altogether; which can be understood as having the whole Protar squashed into one lump and put to one side of the iris, with another similar (or identical) unit fitted to the other side.
 

Struan Gray

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There is a comprehensive discussion of the development of the Protars and early attempts to use the new Abbe/Schott glasses in the 1911 edition of the Encycopedia Britannia. It's online here

http://47.1911encyclopedia.org/P/PH/PHOTOGRAPHY.htm

but it lacks the diagrams and many of the series designations have been corrupted by the text-recognition process after scanning. This edition is something of a legend, being the last that tried really hard to include truly learned articles, so it should be in any good academic library. Anyone near Lund can come and read mine :smile:
 
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