peter k.
Member
So;; lets all have a Happy New Year . 

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Thank you for getting back to me. I'm glad Cole was able to convince him to save a few.
I'm sorry that happened to you. Sadly, there are a few here who make this a bad place to be sometimes. I know a few members being harassed by PM. Thankfully, the majority here are decent and hope that you will continue to contribute.
Some photographers have always exercised the wisdom to edit their work. Makes sense.
Andrew, I think I need a translation from the native Saskatchewan of that final sentence!Before I came back to Canada, I purged myself of many negatives. I can't keep thinking of that was a smart thing to do...
Andrew, I think I need a translation from the native Saskatchewan of that final sentence!![]()
I purged myself of many negatives. I can't keep thinking if that was a smart thing to do
I'd say it wasn't, because a particular image can change in significance for you. Negatives also don't take up that much space. It's not like purging your collection of bobblehead Edmonton Oilers or oversized Ziggy dolls.
Brett Weston, on the other hand, didn't want anyone else either making images from is negatives or, possibly, having to make images from his negatives to copy his work. This was a guy, after all, tasked with printing the Edward Weston negatives in exactly the prescribed way. Maybe he thought he was also doing other people a favour. More likely, though, is he thought his work should remain the way a painter's work remains. No one paints a copy of The Mona Lisa and says it's the real thing; every copy is known as a copy and there's only one original. So a copy of a Brett Weston photo should be a picture of one he printed, not a new print made from his negative.
So a question for Kim Weston would be whether or not printing the Edward Weston negatives is tedious and onerous, whether or not it gets to be creatively stagnant, whether or not doing it makes you feel like a fleshy photocopier. They are great photos, but it's not like you can just press a button and get one. So does printing them feel like the 13425th evening performing the Greased Lightning dance in Grease?
They may not have much value, some may be of really bad technical quality too, but every time I pull any out, it's like being reborn again.
Just to clear up deletion of my post (you must have caught it in space on the way out). Once I realized this was a thread initiated by Weston family, I did not think bringing up my father's negs and their history was appropriate. Although the part you quoted related to looking at my own and yes, getting that feeling makes it clear - all are keepers.Boy ya hit the nail on the head.
We were noticing that we haven't of late, the last six, eight months, been properly storing the sleeved negs, B&W and Color, slide or chrome, in their proper folders, and sighed at the time, oh we just got to much of this stuff will do it later.
But then, picked some of them up and glanced at them, and had to smile, in the remembering and review of the experience of those past moments, of thier composition ect.
Then later that day, which took place at the beginning of the month, it caused a thought to ignite, which started with the annual festival of lights that were being lit here in Sedona, for a new concept for the old MSA. (Monthly Shooting Assignment) of using old, .. as well new images in trying to revive that forum.
I'm not a Weston, but I knew Brett pretty well. My favorite piece about him was written by his long-time friend Richard Miller.
https://www.richardcmiller.com/portfolios/the-westons/portrait-of-a-friendship/
I’m sad that you deleted that post. I read it last night in a fit of insomnia and it was quite apropos. We all seem to have, or will have, similar situations. I’m sure that it would have resonated with Kim.Just to clear up deletion of my post (you must have caught it in space on the way out). Once I realized this was a thread initiated by Weston family, I did not think bringing up my father's negs and their history was appropriate. Although the part you quoted related to looking at my own and yes, getting that feeling makes it clear - all are keepers.
but you can't take the sasquatch out of the boy?You can take the boy out of Saskatchewan...![]()
but you can't take the sasquatch out of the boy?![]()
You might as well keep everything. Your heirs will throw it out for you sad as that sounds.I didn't realise my possible mistake until I went through some older negatives from the same time, about ten years ago. Looking closely, I found compositions within that moved me. Today, I keep everything.
I find it good to go back and look at my earlier work to see how I have grown but also to see what I have stopped doing that maybe I should do again.
Thanks for this, but I just thought that this thread is different, and given some (now deleted) inappropriateness that drove away Kim Weston from posting I'll leave this one alone. But I agree, taling about it would probably help many not to make a mistake of dumping own history.I’m sad that you deleted that post. I read it last night in a fit of insomnia and it was quite apropos. We all seem to have, or will have, similar situations. I’m sure that it would have resonated with Kim.
Thanks for this, but I just thought that this thread is different, and given some (now deleted) inappropriateness that drove away Kim Weston from posting I'll leave this one alone. But I agree, taling about it would probably help many not to make a mistake of dumping own history.
I was really only alluding to who initiated the thread. I have seen responses from "strangers" but I never saw the foul stuff, so can't tell at what point thread became what it's become.I dont know about that, its just strange that the only ones who have even attempted to answer questions about the elder Westons, such as what cameras they used, have been complete strangers to the family or merely people who met the person once or twice 40 years ago and remembered what the weston in question was using at the moment.
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