George Mann
Member
Except for portraits, the bokeh obsession is lost on me. Extreme subject isolation for its own sake is not something I'm interested in.
I can't tell tell you how many pictures I have the have been ruined by this!
Except for portraits, the bokeh obsession is lost on me. Extreme subject isolation for its own sake is not something I'm interested in.
old Nikkors(AI and pre AI are top-quality lenses for film and digital)None of my Ai primes are lacking in quality.
Which camera's contain such sensors?
Not by me. I just don't like the rendition of most modern lenses.
What don't you like about the rendition of the images I posted? Serious question as it may help some decide on what to look for in lenses.
Well, this question can only be answered by personally comparing your lens to a lense design that I hold to be the standard in optimal vintage design.
That would be the Leitz or Nikkor 50mm F2 first released around 1964.
I find this lens design to have the most realistic rendition of all of the 50mm lenses I have used, as it is completely neutral and transparent, save for some rarely seen field curvature.
That doesn't answer the question.
I asked what don't you like about the rendition of the images I posted in this thread.
.....I've been looking a some Kodachromes I made in the early '70s, using a Kodak 35rf with an uncoated f:3.5 lens. My lightmeter then was a late '30s bakelite Weston. No modern lens or technology would improve on those slides, or on any photograph I have made in the intervening (almost) fifty years.
However creative photography is not an exercise in data recovery, so absolute IQ is irrelevant to most users.
With the higher resolution of sensors the MTF's of lenses for digital capture needed to yield higher resolution.
My statement actually is a statement by Rodenstock.
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