bobwysiwyg
Subscriber
Saw a statement in the past few days that referenced the high reflectance of the moon's surface. According to this statement, the moon's surface is 30-60% glass [particles]. Hmm, never knew that.
Doing more research about, it all makes sense now.
Hasselblad, Bolex (Switar) and Hermes are sister companies that were operation under one paillard umbrella back in 1960s.
Being represented by one and the same importer in one country does not make companies "sister companies".
I don't think NASA's book of requirements had anything in it that said that the stuff they needed had to be from one shop.![]()
it is a shame that all cine film was destroyed.
I wonder if you could get those cameras back from the moon what condition they would be in.Would they put them in some thing to protect them or just throw them over their shoulder.
None of the cameras that went to the moon ever came back, no.
I think not, no.They never heard of Tread Lightly?
They'd probably be very, very dusty and probably not workable due to 40 years of sitting in -200 degree temperatures.
Could someone explain photo 15 in the original link 'a silhouette of Aldrin on the moon'?
Is this a defect of the lens? or a time-delay photo?
Look at the shadows from the rocks, the light source has moved during exposure.
the shadows on the left are pointing right and the shadows on the right are pointing left.
Please explain how this can be done in a studio.
Do a search for and watch the episode of Mythbusters where they de-bunked all of the moon landing conspiracy theories.
What I never understood was how people who believed that the moon landings were faked could so easily rely on technology such as satellite weather reports and satellite TV. If we can launch such satellites, going to the moon isn't that much more difficult - to say nothing of all the interplanetary probes to Venus, Mars, Jupiter, Saturn, etc.
Anybody interested in this *needs* to check out the book "Full Moon", edited by photographer Michael Light.
Dead Link Removed
It blew me away when I saw it at the Craig Krull Gallery in Los Angeles.
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