The LInhof Technikardan will easily fit any backpack. So will a Technika or a Wista.Hi all,
I'm looking at a large format upgrade and I'm mostly leaning towards the Chominix F2. But, I'd also consider the Arca-Swiss Discovery.
Thing is, I probably won't do a lot of distance packing with a LF camera. I expect short distances will be the norm. Something like 100 yards from my car....
So long as I can get the Discovery into a backpack, it could be a good alternative.
Anyone have experience with the Discovery (or something very similar)?
Thoughts??
Thanks!
Adam
I'm addicted to Arca Swiss, and I've been a user for years.
I've not used a Discorvery, but practically speaking, they're not all that different from a Classic F. As for backpacking, it all depends on the type of rail system that you have. For example, if you get an "expandable" 30cm setup that includes two 15cm rails and a 30cm bracket, then your camera will backpack really well. You can move both the front and back standard onto one of the 15cm rails and easily stow it in a backpack. Then, put the 30cm bracket and the remaining 15cm rail beside it. See the following link. (By the way, you would never buy something like this new.)
https://www.bhphotovideo.com/c/prod...iss_043130_Monorail_Expanding_Telescopic.html
Another rail setup that would backpack well is the following.
https://www.bhphotovideo.com/c/prod...044130_Monorail_30cm_Collapsible_Folding.html
In short, the longer your shortest rail, the more difficult an Arca Swiss can be to backpack. Of the above options, I prefer the first. It offers a longer, maximum extension. That said, the second option is sized well for a 6x9 Arca Swiss view camera, but not so well for 4x5.
My guess, based on the misspelling of ChAmonix, is OP is the same Adam from the LFPF Linhof/Chamonix thread.
I’ll offer the same advice. Get the Chamonix. Like Linhof, Arca makes wonderful cameras. However the fact OP has now added Arca monorails to the list reinforces what I said on LFPF - until you have more experience it is hard to know what you want/need.
Arcas are expensive new, and if you go the used route, it will be a similar situation to the used Linhof route. Although buying a used Arca will be somewhat less complicated than buying a used Linhof, you’re still dealing with somebody’s old stuff, and it will probably still be more expensive than getting a new Chamonix.
How is buying a used Arca less complicated then a used LInhof?My guess, based on the misspelling of ChAmonix, is OP is the same Adam from the LFPF Linhof/Chamonix thread.
I’ll offer the same advice. Get the Chamonix. Like Linhof, Arca makes wonderful cameras. However the fact OP has now added Arca monorails to the list reinforces what I said on LFPF - until you have more experience it is hard to know what you want/need.
Arcas are expensive new, and if you go the used route, it will be a similar situation to the used Linhof route. Although buying a used Arca will be somewhat less complicated than buying a used Linhof, you’re still dealing with somebody’s old stuff, and it will probably still be more expensive than getting a new Chamonix.
It just seems to me you need more knowledge regarding the Linhof line versus Arca. Not if you’re buying one of the most recent cameras, but older stuff. More models and/or evolution of models. Also, it is my impression (just my two cents based on reading forum posts over the years) that for some reason more Linhof owners have screwed around with their cameras. Someone buys an old Technika, and it turns out the ground glass is in the wrong place, and now they have to start with the shims etc.
I also think when it comes to more recent models from premium brands such as Linhof or Arca, buying used items that are in excellent shape (a TK 45S for example) will end up being more expensive than a new Chamonix, so I just think OP would be better off going that way since he doesn’t really seem to know what he wants/needs anyway.
Just my opinion, having been down this road.
Edit: Full disclosure, I currently use a Kardan RE (which I bought from HP Marketing) and a Chamonix.
Then you obviously have not looked at the LInhof TK or TKS. http://linhof.com/wp-content/uploads/2015/04/Technikardan_e.pdfThis is great, I appreciate all the ideas!!
One person mentioned that the OP (that's me) didn't know exactly what I wanted. That's not exactly true. I in fact know exactly what I want!!
- I want the most flexibility in a camera (range of lens) from 75mm to 400mm (or as close to it). If that has to be sacrificed, then the long end would be first to go, so 75mm to 300mm.
- I want the most flexibility in movements. Not because I need it all the time, but from time to time difference movements can be super helpful. I know this beyof experience using a monorail. The ability to use the front and rear standards almost interchangeablely is pretty nice.
- I want the camera to fit into a "normal" camera backpack. The camera should be "quick" to set up and pack down.
- It should be ridged but no necessary the most ridged, but quality ridged.
I would say, based on all the research, the Chamonix F2 is the closest to this requirement definition. I'm just looking for viable contenders that may be at a lower cost and sure there may be some sacrificed features. What I was expecty to learn (hoping more like) was camera and model "X" would be an alternative that costs less AND also has some advantages over the Chamonix F2.
I just really have not found that yet. The Arca-Swiss Discovery is just about as close as I can find.
Those are the requirements I want. Do I need all of them? Well, my position is simple. For each dollar I spend, I should be collecting features and capabilities with the camera. Given the price point of a new Chamonix F2 ($1400 tax/title/lisence), what camera out there can say, "pick me"? It can most definitely cost more!! If that higher cost adds features or capabilities. But if it doesn't, why spend the extra $$?
The nice thing is, I'm not emotionally connected to any brand. It's just a tool.
Got any more suggestions??
Love that Sinar F project. Very creative. Btw....I can get my Cambo monorail into a backpack. It works. And for $150 it does the job. Yeah it's a PITA to setup and pack down, but, it works!!
Worked with both the S model and the non S older version. Opening and closing one is faster then reading this sentence. Once you learn how to operate it read the instruction manual. It’s easiest the fastest view camera to set up and take down.So I re-educated myself on the Linhof TK45S. Yeah no doubt it's a great option. The "s" version seems to go used for about an additional $1000 over the Chamonix and Discovery. The non-s model is about the same.
In terms of the simple value is that extra $1000, I don't quite see it. In fact, in reading about that camera, the pavk-down, setup time might not be all that great.
In this case, I would say I now have 4 viable options.
Pretty good. Thank you for the tip!! Now I just need to learn more about the difference between the s and non-s versions. From what I gather, there's some construction differences, but nothing crazy.
Especially as there is a pictograph on the focus knob to aid the user.Well, again, that depends on how you prefer to work, typical subject matter etc. I really appreciate having zero detents. Other people couldn’t care less.
I have to agree with Bob regarding the TK being easy and quick to open/close. You’ll occasionally/rarely come across complaints from people who simply can’t or refuse to follow simple instructions.
With or without the center dent feature the original TK is very easy and accurate method to secure zero detente.That's fair. My Cambo has detents and sometimes it can be a problem. So maybe I was a bit harsh.
It is however nice if the camera has center markings so you know where "middle" is.
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