There's a lot of appeal to a monorail camera. I've been shooting a Chamonix F2 and love it, but feel the tractor beam pull of a monorail - especially geared adjustments. Think that probably make me a nerd. Folks take beautiful pictures even with a solar pinhole camera made from a soup can. So why do I feel the tractor beam to the geared? Good question. I think it's to have better fine motor control over the focus adjustments.
Folks like to say the Arca has portability in spades. I have an Arca Model B... and resale stinks. The note here about old cameras involve your buying someone else's problems... doesn't necessarily mean the camera's a mess... simply the sale represents someone else's decision to do something else. The Model B is a big honking piece of equipment. I went for a CHamonix to "backpack". Like Alan though, most of that's just to get the camera into and out of the car.
But FWIW, I've been catching up with Rod Klukas and may eventually pull the trigger. There's the F-Field which is the other end of the tractor beam, and then the confusing assortment of F-Universalis and MF cameras. With the cost of these things, seems to me one needs to really really really know what you're buying and why. Wouldn't it be great to be able to rent one of these? Better, it sounds like a trip to Phoenix to see the alternatives at Rod's place is a real way to go - if I get that serious. Good thing for my wallet is that with Covid, I'm not getting on a plane anytime soon, and I'm sure Rod's not wanting a lot of visitors either.
Congrats on your F. Not sure which one is the 171, but my favorite is the F-Field with the 6X9 small front and 4X5 back. The F-Universalis that Rod's talking about or the MF are also appealing and a bit lighter. The Universalis comes with the orbix as standard, but loses rear tilt... which is giving me some real pause. The MF has both... but adds some change to the equation. For me, this is mostly about film. While I wouldn't mind possibly throwing a Nikon Zx behind the rear standard someday when Nikon decides to add pixel shift, I'm not in a rush either. Listening to Rod discuss LF digital with Fuji or Hasselblad backs and looking at those prices and the price of some of the LF digital lenses (not all, but many) I'm pretty sure I'll be loving my 4X5 film for a long time.
