*edit* Here's a resource I haven't seen before, might have some useful info for those interested http://books.google.com/books?id=1J...EwBQ#v=onepage&q=lippmann heliochrome&f=false
I recently discovered what dichroic filters are; interference filters! Call me ignorant, but I'm new to this..
So, we all know that the Lippmann photograph records colors in the same manner, by microscopic interference (iridescence) patterns in the emulsion, but it results in an image only viewable by reflection, not transmission. I'm struggling to understand why there can't be a transmission Lippmann photograph; essentially making a "dynamic" dichroic filter that relates to the colors of the image, in other words, an interference photograph that's viewable by transmission. Imagine a picture made in this way.... I would have to think it would be incredible.
Any thoughts? What conditions would have to be present for this to work?
You might have heard also about the MICRO-DISPERSION METHOD (see for example Friedman's History of Color Photography, p.25 - www.archive.org/stream/historyofcolorph00frierich/historyofcolorph00frierich_djvu.txt)
Just for reference, there is also a full scanned PDF file of 73MB of the same book available on the Internet Archive site:
http://www.archive.org/download/historyofcolorph00frierich/historyofcolorph00frierich.pdf
Since there are figures and even some mathematical equations in the document, this will be more useful for reading.
Marco
Hi Ray,
I've discovered this thread only today. I'm fascinated with early color photography technologies such as Autochromes, so I'm extreemly excited to discover there was another process that seems to be even older and more accurate (color rendition wise) than Autochromes. I'm French and studied Physics for a while at College, so I would be happy to try to translate into English the french papers you cite. I'm not a professional translater and I may need some time as my free time is limited and already pretty busy but since this project sounds so exciting I'll do my best to be fast and effective.
Which reminds me...
Some of the files mentioned before, mostly in French, are not actually there... and those that are, are in fairly poor shape... If anyone types French quickly (?), a good clean copy of those articles would help smooth the way for at least initiall attemps at machine translation. As it is now, they are not suitable for OCR and untill they are translated, or retyped, nonreaders will remain in the dark.
If anyone wants to undertake this job in waiting, I have all of the files ready to send....
Ray Rogers, the link didn't work? The link basically goes to the last relevant page, you need to go back several chapters for the goods. There's some really good stuff in there. Apparently, in theory, a Lippmann should transmit the complementary colors of what it reflects. R Shaffer, do you notice this at all in your examples?
Also, it says that pictures made w/o the mercury reflector are "necessarily dull".
And lastly, I can only say that I strongly encourage Lionel1972 to get with Ray Rogers and translate those files. That would be truly incredible, and might make these papers available to English speakers for the first time! I'll do anything to facilitate, although I don't know what that would be, other than applauding from the side lines.
I'll do anything to facilitate, although I don't know what that would be, other than applauding from the side lines.
Apparently, in theory, a Lippmann should transmit the complementary colors of what it reflects. R Shaffer, do you notice this at all in your examples?
Also, it says that pictures made w/o the mercury reflector are "necessarily dull". Bummer considering that's what we're doing.
Hi Ray,
I've discovered this thread only today. I'm fascinated with early color photography technologies such as Autochromes, so I'm extreemly excited to discover there was another process that seems to be even older and more accurate (color rendition wise) than Autochromes. I'm French and studied Physics for a while at College, so I would be happy to try to translate into English the french papers you cite. I'm not a professional translater and I may need some time as my free time is limited and already pretty busy but since this project sounds so exciting I'll do my best to be fast and effective.
Ahh, this makes the Lippmann:Hologram analog more clear... the reflection is like the reference beam (or vice versa?) in a laser hologram and ideally it's strength should be as strong as the illumination beam (which is impossible in practice, I would assume, but cool!)there's a correlation between the beam ratio (the beam hitting the plate directly and the one from the rear side) and diffraction efficiency. In order to get high modulation the beam ratio ideally has to be 1:1. Obviously, in the Lippmann case without a mercury (or alike) reflector this is difficult to achieve.
Ray Rogers, the link didn't work? The link basically goes to the last relevant page, you need to go back several chapters for the goods. There's some really good stuff in there. Apparently, in theory, a Lippmann should transmit the complementary colors of what it reflects.
Here's the new home of the "Lippmann" papers: http://a2.no-ip.org/data/lippmann/
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