I just received my first Alt print today, "Kenwood Park" by T** N******. It is a very nice scene of winter trees, a palladium toned kallitype print. Very nice, T**, thanks very much.
PS - I always put my exchange activity in the Forum, rather than the "conversations". That way, I don't generate so many emails.
I've amended your post.
Just a reminder that it is best to use Photrio screen names rather than actual names in open thread posts - people choose the screen names for a reason, and that reason may be to preserve a modicum of privacy.
Obviously, I chose a screen name to match my real name. Sanders chose to include his real name in his posts, but others have made the conscious decision to do otherwise.
Enjoy your exchange. As I type this, I can look up and enjoy an Andrew O'Neill kallitype that Andrew gave me in exchange for one of my toned silver gelatin prints. Exchanges of any type are great!
PS - I always put my exchange activity in the Forum, rather than the "conversations". That way, I don't generate so many emails.
Hi Matt, normally I use the photrio handles in any communication that I use here. But in this case, I found only the participant's name. I double checked the envelope this morning: only a name. And I looked at the list of addresses in the conversation: no handles, only names. Using his name was the only way I could acknowledge the print.
Given Matt’s concerns about preserving anonymity in public posts, let’s close down this thread and continue our discussions through the private conversation.
And today I received a beautiful platinum/palladium Christopher Perez, a very classy figure study. Very nice. Great subject for an alternative process print. My only question is whether the original image is from a film negative or a digital image. Not that it matters, but it will satisfy my curiosity. Excellent. I believe that is the eighth and filnal image from this round. Thanks to all!
@Sanders' print made it to Europe! It really glows - I like it a lot. Takes me back to a hike in the Pyrenees in southern France where I encountered a herd of cows in the mist on a high slope!
Do you suppose it might be possible to marry carbon transfer with kallitypes?
Lost track of this thread somehow. You are correct - 35mm FP4+, shot through my Elan II. Scanned at 4k DPI, digitally dodged and burned, printed on Pictorico as a digital neg.he other is a fine leaf entitled "Mytol Maple", so named for the developer. A gold toned kallitype. I'm guessing this is from a 35mm negative, as there is a reference to the images on "the roll". Then cast out to a digital neg?
Yep. I always thought cyanotypes were kind of a boring, washed-out blue process, they didn't much interest me from what I saw online. Then I got one in person from this exchange and saw the gorgeous deep blue that was actually possible. I guess it makes sense - a lot of people's first and last experience with alt process is something "easier" and inexpensive like cyanotype, and they approach it as a curiosity rather than a legitimate artistic medium. The result is a lot of mediocre prints when you search Flickr or Google Images for "cyanotype." But seeing one that was carefully produced by someone who understood the importance of getting tones and exposure and contrast correct...The danger, with exchanges like this, is that it makes me want to throw away my disciplined attachment to my own process (kallitypes for now) and go chase new ones.
@Rolleiflexible how likely do you think this is to turn into a recurring exchange? I for one would enthusiastically participate again even if we did another one next week.
I just received two nice paladium prints from Scott Davis. "Glen Echo Carousel" and "Stone Wall, Fredericksburg". Both very nicely executed alt prints. The carousel is really cool, and it was a great idea to do two long exposures, one with movement and one without. Also, the rock wall is a great subject for alternative handling.
No need to apologize! These are great prints!
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