Rolleiflexible
Subscriber
I am not the organizer of the past exchanges, but I am up for a new exchange if others are interested. I can help organize if need be. Any takers? Reply below.
But I'll be printing my contributions and sending them out within a week or so. I hope you will too.
Given my recent experience with the postcard exchange, I assume most won't manage it that fast. I'll try my best![]()
I’ve only made 8 test prints so far (including max black tests) and am still very much at the bottom of the learning curve, so will join on a later round![]()
Good point, but I haven't even done safelight/white light bulb time/fog tests yet. Pure white is paper white, but I'm coating and developing under minimal light at first, just to be sure. Haven't managed to get any high tone textures into a print yet.Up to you, but I wish I could have done an exchange when I was farther down the curve. It gives you a reason to print, and puts samples of other processes into your hands. I don’t think this is meant to be a Master Alt Print Exchange.
Good point, but I haven't even done safelight/white light bulb time/fog tests yet. Pure white is paper white, but I'm coating and developing under minimal light at first, just to be sure. Haven't managed to get any high tone textures into a print yet.
I can send some lovely max black tests![]()
I'm sure you're right, but after working so hard to make my darkrooms dark (developed 4x5 sheet film in open trays) this dimroom thing is a little disconcerting.Murray, if you are working in a UV-sensitive process, know that most ordinary LED lamps emit no UV radiation. It’s worth borrowing a UV meter to make sure, but my large overhead LED lights emit none, so my “darkroom” stays brightly lit. (Of course I still call it a darkroom and I still dial my telephone.)
Warm white...good idea. Have cool white right now.Salted paper fogs pretty readily; I think your safelight test is actually a good idea. Having said that, I have good experiences with my current setup of warm-white LEDs - for color correction I use cooler white, but when working with sensitized alt. process materials I stick with the warm-white ones.
Would cyanotypes without the use of a negative fit into this?
Would cyanotypes without the use of a negative fit into this?
I'm up for participating if the group size isn't too big.
I'm in.I am not the organizer of the past exchanges, but I am up for a new exchange if others are interested. I can help organize if need be. Any takers? Reply below.
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. |
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY: ![]() |