I don’t think hiring models was Bert Hardy’s style. According to his autobiography, he had accepted a challenge for Picture Post to shoot photos in Blackpool using a Box Brownie. “After a four-mile walk, we still had no shots of pretty girls. There was a rehearsal of the pier show going on, and we asked a couple of the girls to pose for us.”Why?
I understand that both girls were models that he hired.
Yeah, Salgado was travelling extensively for his Genesis photos. His films started to suffer from x-ray burn, so he switched to Canon 5D Mk2/3 instead. (Famously, Canon modded the screens to only show B&W.)
But since then he has actually stated that using a digital negative to print halide prints actually gives him better images than he got with 6x7 Tri-X.
Salgado is actualky featured in the promotions of both Canon 5D and DXO Optics film plugins.
So he's no longer a top advocate for MF film, but I am sure his photos are an inspiration to many.
His Genesis exhibition is actually on in my home town at the moment so I'll go and see the actual prints any day now. I'm looking forward to that. The book is beautiful but the prints should be so much better.
But, I wonder why she considered a (small-) gas pipe wrench and pliers as being a part of her photographic equipment (look in the middle of the lenses)...
To remove stuck filters?
I sometimes carry similar tools for use with tripods, flash holders, accessory grips, light stands and other similar items.
Although Margaret Bourke-White had a TLR, she mainly shot LF.
But, I wonder why she considered a (small-) gas pipe wrench and pliers as being a part of her photographic equipment (look in the middle of the lenses)...
To remove stuck filters?
View attachment 343383
PS: I found this picture on the web (instagram), but it is copyrighted byAlfred Eisenstaedt
n that picture there aren't any really 'non camera items', and the wrench isn't that large...
Michael Kenna
Loads of great photographers mentioned here, including several whose work I'll have to check out. Some others--great to very, very good--I like who haven't been mentioned (or at least I didn't notice):
Seydou Keïta - one of the true greats
Carl De Keyzer
Gregory Heisler (well known for his LF portraits, but occasionally uses an RZ67)
Gordon Parks
Malick Sidibe
Fay Godwin (one of her books was mentioned, but not the fact that most of her work was shot on Hasselblad)
George Dureau
Did they cook the pullet or let it mature to egg laying age?define
You will have to define "great." I'm old enough to remember when newspaper photographers got rid of their 4x5 Speed Graphics and embraced the Rolleiflex. Some of these guys (and they were mostly guys in those days) took great photos, some won the Pullet Surprise, but you may not have heard of them.
If a photog takes a great photograph in a cathedral at sunrise and nobody hears the shutter click, is it a great photograph?
If a guy didn't work for a whiz-bang huge media outlet or did not have a private line into the photo editor at Life Magazine, does that mean his photos are not great because not many people saw them? The V. Maier syndrome, methinks. How many undiscovered Maiers are there out there? What is "great" anyway. Today a "celebrity" can be someone who was on an obscure TV show in one brief episode.
If a photog takes a great photograph in a cathedral at sunrise and nobody hears the shutter click, is it a great photograph?
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