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Bunny Yeager
I would second Sebastiao Salgado, before he went digital. But don't worry about it. The vision is more important than the medium.
What a great troll post. How could anyone who knows anything about photography question whether there were photographers who used medium format?
What difference does it make what format a photographer uses. I always felt that the final image was the most important factor.
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What I got from an interview I saw was that he didn't really want to, but getting film through airports safely had become an issue.I would second Sebastiao Salgado, before he went digital. But don't worry about it. The vision is more important than the medium.
Ansel Adams but he was already mentioned.
What a great troll post. How could anyone who knows anything about photography question whether there were photographers who used medium format?
What difference does it make what format a photographer uses. I always felt that the final image was the most important factor.
What I got from an interview I saw was that he didn't really want to, but getting film through airports safely had become an issue.
I saw a bunch of his prints from that show in Paris last October at the Maison Europienne de la Photographie. I felt like some of them were a little flat, and some were a little too contrasty, but that's just my reaction. Most prints were large, some were huge. Regardless, there was considerable technical expertise visible in those prints because the production values, especially at those large sizes, was consistently outstanding. Worth checking out.
Did Weegee (Arthur Fellig) use MF?
He sort of seems like the kind of guy who would shoot whatever he had on hand. He's identified with the Speed Graphic, of course, but he did have at least one Rolleiflex (there's a photo of him on a soundstage with it in a clunky-looking soundproof case).
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