harlequinDear Team,
I will have to be ordering new chemistry soon, usually from Freestyle Hollywood...
I notice that they have several house brand powders at reduced cost vs Kodak and Clayton 76 which is liquid already..
Has anybody had 1st Hand experience with these alternatives?
Mostly shooting 120 fp4, hp5 and tri-x as well as some sheet film 4x5....
Maybe not having to mix at 121 degrees F?
Any sample shots, any to avoid, or do I stick with the big yellow bag?
Many Thanks for your input and suggestions...
If the formulas are identical I wouldn’t mind Saving 30%, during these strange times....
Be Safe!
Harlequin
harlequin
I'm really surprised by this (harlequin)
what is your problem ?
2 gram metol
100 sulfite sulfite
5 grams hydroquinone
2 grams borax
Just four ingredients, you can buy them cheaply in quantities that will last you for ten years at a very low price.
DonaldNot to mention, from the same stock of ingredients plus a couple others (also very inexpensive) you can make D-72 (aka Dektol), the print developing standard for the past century, D-23 (and its replenisher), the old press developer (really, really simple; D-23 is just metol and lots of sulfite, though the replenisher has a couple other ingredients) -- and most of the other old standby formulae.
In truth, if you're a D-76 user, there's no strong reason not to buy the above list of chemicals (Borax from the laundry aisle at the grocery store is something like $4 for a couple pounds). You can mix directly to working strength, immediately before use, and be certain your developer is always the same, always fresh. Next best thing to running replenishment (and not dependent on doing enough processing to make replenishment work as designed).
If you are going to take the route @mohmad khatab suggested, you may want to seriously consider an alternative to D76 called Adox MQ Borax. @Ian Grant has high praise for this developer and has posted the formula in resources section. The replenished developer is highly economical.
Yes we used adox Borax MQ at work in teh early 1980's replenished, I used to supply two other photographers as well, it gives better shadow details than D76, is shrper, finer tighter grain, the level of Sulphite is lower and that helps enormously, with less silver soolvency it's cleaner workin. It's close to Agfa 44 (Ansco 17) which is better than D76.
Ian
View attachment 247057
Agfa 45 with just 13g of Sodium Sulphite but not marked as fine grain developed....
PA: Portrait and Ameature
FK: Feinkorn (Fine grain)
Opposite to feinkorn is grobkornLuckily the chemistry is easy to translate, I have two Agfa Rezeptes, and a later Orwo Rezeptes. I think Agfa 45 will be quite grainy with some films. I also have a Dr Moome Andresen Agfa Photo-Handbuch but my German is rather non existent.
I like the term "Feinkorn" for fine grainMakes me think of taht Kodak film was it 2475 that had grain the size of Sweet Corn (cob corn).
Ian
At one time almost every company made D76 because it was an industry standard developer for cinematography, Agfa 19, May & Baker 320, ID-11, Dupont/Defemnder D6, Ferrania R18, Foma FV3, Fotokenia FR7, Foton N1 and more.
I'd mix my own as suggested and replenish.
Ian
. If going the replenished route, what is the shelf life of both the original stock and of the replenisher?
Ian,
I looked up the Adox M-Q Borax formula you posted in the Resources section and I'm very interested in trying this with Fomapan 100, especially since it's reported to build contrast more slowly than D-76/ID-11. A couple of questions:
1. Is there any particular downside to simply mixing a fresh liter and using it as a one-shot developer?
2. If going the replenished route, what is the shelf life of both the original stock and of the replenisher?
Thanks!
Ian,
I looked up the Adox M-Q Borax formula you posted in the Resources section and I'm very interested in trying this with Fomapan 100, especially since it's reported to build contrast more slowly than D-76/ID-11. A couple of questions:
1. Is there any particular downside to simply mixing a fresh liter and using it as a one-shot developer?
2. If going the replenished route, what is the shelf life of both the original stock and of the replenisher?
Thanks!
With any developer like this don't use immediately after making up. leave it overnight, or at least a few hours. The mixed chemistry has a shelf life of around a year, that's the working stock solution or fresh/replenisher.
Personally I'd go down the Replenishment route it's so economic, it's something I began using while at school and in 50 years I've never had a problem. I started with Microphen (ID-68), later using ID-11 in deep tanks,, then Adox Borax MQ, and finally Xtol. I always kept a notebook to track progeress, that way you easily pick up if a developer is going to turn and collapse, you notice that negative may be a touch thinner than expected, not enough to be an issue. It becomes second nature.
The other upside of replenished developers is they are instantly ready for use. I use 2.5 litre HD plastic bottles, these are very thick walled as they originally containd concentrated Nitric and Hydrochloric Acid and are unbreakable. The 2.5 litres is because my Jobo tanks need 1 litre per spiral, and I had these bottles at work anyway, I always purged them with hot water and left spent print dev on them for a day or so as it's alkali and would ensure no contamination.
Ian
Some claim or may it is a fact that replenished x-tol have slightly a different characteristics esp., on holding highlights. Do the replenished M-Q Borax have any such characteristics?
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