Hatchetman
Member
This is the one I'm considering buying...
http://www.ebay.com/itm/231656625277?_trksid=p2055119.m1438.l2649&ssPageName=STRK:MEBIDX:IT
looks beautiful. Why not? worst case you use it for a while and sell it for $850.
This is the one I'm considering buying...
http://www.ebay.com/itm/231656625277?_trksid=p2055119.m1438.l2649&ssPageName=STRK:MEBIDX:IT
Are you saying the two have to be a matched pair? How would you know if that particular lens/goggles are matched?
You need two 5cm lenses?
You need two 5cm lenses?
FWIW: (there was a url link here which no longer exists)
No connection with the seller, etc., etc.
But of course.I have three Nikon FTN's and two Nikon D200's. As the old saying goes, double your pleasure, double your fun, you get two for the price of one(sometimes).
Popup box says Invalid attachment on those two links?
Yes I understand lenses are like paintbrushes even in mono.The 50/2 DR lens is my all-time favorite 50 for Leica and maybe my all time favorite lens. The sharpness is terrific but the more moderate contrast and seemingly beautiful "micro-contrast" is superlative for B&W work, at least mine. I got mine with goggles for only $350 due to an aesthetic flaw that has no affect on its use or performance. The one you're looking at is a gorgeous example but personally I think you can find this lens quite a bit cheaper with patience.
As for "better" than the 50/2 Planar? Not better but different. I use a lot of Zeiss glass and it's terrific, more contrast and punch typically. Definitely more "3-D" look. I have the M-mount 35/2 Biogon and love it as well but the character is quite different than the 50/2 Summicron-DR. If more contrast and pop, especially for color work, is a priority then go with or stick with the Planar.
A couple of 50/2 Summicron-DR examples of mine:
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