I'd use Rodinal, 1+50, 9min, 20C. It will produce small amount of dye too, and we need everything
The films you've listed will work, yes.
This process will produce a negative
Well, the negatives will not be "normal" because the color rendition will be very different from standard C41. Thebcolor palette can be seen in the first post.
Yes, you need to re-expose the film, but several seconds under the sunlight will be more than enough.
You will have to use separate bleach and fix.
I don't know what "the great copper bleach is", but if it is a rehal bleach, it should work. Ferric sodium/ammonium edta bleach should work too.
1. BW dev. Rodinal 1+50 9min. 20°C
2. Fix (must be non-hardening, time will depend on what you use)
3. Bleach (time will depend in what you use)
4. Re-exposure
5. Color dev 5min. 20°C
Repeat steps 3 through 5 for 4 times, then
6. Bleach
7. Fix
Blix can be used instead of steps 6 and 7.
8. Base solution(sodium carbonate, for example, or weak NaOH ) for 5 min at 20°C
Then wash with clean water and dry.
You will not need ammonia for the negative process. As I've said, any rehal bleach will work
If you want to be able to loop develop a positive dye image, you need some way to bleach the developed silver after first developer, and copper sulfate/ammonia may be the only process that won't damage the dye couplers.
there I described the negative process
But then why would you use expensive E-6 film? Or is this aimed at ECN-2?
Old agfacolor/sovcolor would probably work even better
Didn't those use different dye couplers and developing agents from C-22/C-41 etc.? I'd gotten the impression that Agfacolor wasn't compatible with anything else (but don't know anything about Sovcolor).
I used PPD in the late 1950s for Agfacolor. Even managed a print, same developing agent. No mask in those days. Don't ask for details -it has been too long.
aminophenol dyes in NaOH seem to have the right colors and much more density, but the moment you rinse the film- it's all back to where it started.
Formalin stabilizer would be the last thing before hanging the film to dry. I suppose it could be applied any time after the color developer, but in C-22, pre-2000 C-41, E-4 and E-6 it's always been the last bath.
Interesting thread... regarding the use of hair dye - is there any methodology for the dissolution? If alcohol is used for the dissolution and subsequent filtration - will this have any positive effect?
Well, I didn't use the raw components and the manufacturer doesn't disclose how much of PPD there is in 45ml of hair dye, but I'd start with 2g of PPD and 1g of 4-aminophenol, per 330ml of the developer. No idea what the Ph should be in this case, so I'd add potassium carbonate until Ph is somewhere around 9. IIRC, PE mentioned that sodium sulfite in low concentrations will help with dye formation by removing the excess oxidised color developing agent, so I'd add ~0.2-0.3g, again, per 330ml.
So the whole process would go like this
1) First dev.: Rodinal 1+50 or equivalent, approximately 9min at 20C.
2) Fix(non-hardening)
3) Bleach. Not blix and without formaldehyde or other chemicals that destroy the dye couplers. I used potassium ferricyanide+potassium bromide and a phosphate buffer, but ferric sodium or ammonium EDTA bleach will probably work fine too.
4) Re-exposure
5) Color dev
Repeat steps 3 through 5 until satisfactory amount of dye is formed. Then bleach and fix. AFAIK, the dyes formed by 4-aminophenol are Ph-sensitive, so I'd use a neutral fix and wash the film in sodium carbonate/bicarbonate/weak NaOH solution before the final wash.
That is where I would start if I tried to make this developer from the raw chemicals, but it 100% will need adjustments, maybe pretty major.
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