I've shot both films (BW400CN and XP2 Super) extensively in 35mm format, and I find that XP2's slightly sharper than the BW400CN. XP2 Super looks more closer to B&W film though in terms of contrast and grain, while BW400CN looks flat and "milky" in the same conditions. I try to overexpose both film by rating them at 200 and 250, but I've also rated them at 800 and gotten back good negs. Too bad Ilford's C-41 film is more expensive, or I would shoot it more. I would love to try Fuji's Neopan 400CN but they don't sell it here.
So regarding the orange filter, has anyone printed XP2 negatives onto color paper? I believe Costco prints on color paper. Don't know if they have specific b&w paper.
Thanks for your help guys!
A few more comments:
- The current Ilford offering is called "XP2 Super." Ilford sold an older product called "XP2" (without the "Super"). Technically, these are different products, but many people leave off the "Super" in discussions of the current product. I mention this to head off confusion -- or worse, the purchase of well-expired product from a forgotten back room somewhere!
- I have printed Kodak BW400CN on conventional B&W paper. I've gotten good results, although exposure times are long and I've usually had to use higher-than-typical contrasts on VC paper (my color enlarger's been set to values that are typical of grade 2.5-4 for most prints). OTOH, I've seen others say they can't get good prints from this film on conventional B&W paper. This could be difference of opinion of what constitutes a "good" print, different photo subjects, results of using different materials or enlargers, or other factors.
- I've not tried printing XP2 Super on conventional color paper, but I have gotten store-processed prints back from this film. Sometimes I get extreme color casts, other times I don't. I think it depends on the equipment used and/or the competence of the operators. Aside from a mail-order outfit that clearly used conventional B&W paper, the best result I got was from a local Walgreens, which used a Fuji Frontier system. This minilab scans negatives and prints digitally, and I believe it was smart enough to recognize the XP2 Super as B&W film and therefore printed it appropriately. The same minilab produced similarly near-neutral results from Kodak BW400CN.
- Even if you get back prints with ugly casts, poor contrast, or other problems, you can always order reprints -- from the original lab, from another lab, or in your own darkroom (if/when you build one). The difference can be dramatic -- one print from XP2 Super I thought was so-so in the original 4x6 from a lab is much better done on conventional B&W paper with proper exposure and contrast!
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