"You call that a big camera???..."

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jovo

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..."Now, this 'ere's a big camera!" (in the voice of Crocodile Dundee)

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k_jupiter

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First off, why would you build a prototype? Just build the damn camera. LF scales rather easily.
Second, over 8x10 to 16x20 what do you get other than sensationalism?

I guess I looked all through the web site and still don't get it. Maybe I am not a big picture kind of guy.

tim in san jose
 

frobozz

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I don't think you're supposed to think that's real - it's like an artist's conception of what the camera will look like once they build it. They would also love your sponsorship dollars in order to do so.

I can't wait to see the end results!

I want to know where they're getting the film.

Duncan
 

E. von Hoegh

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I don't think you're supposed to think that's real - it's like an artist's conception of what the camera will look like once they build it. They would also love your sponsorship dollars in order to do so.

I can't wait to see the end results!

I want to know where they're getting the film.

Duncan

I saw the same article, or almost the same - the fake camera is certainly the same - at least a year ago.
 

k_jupiter

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I don't think you're supposed to think that's real - it's like an artist's conception of what the camera will look like once they build it. They would also love your sponsorship dollars in order to do so.

I can't wait to see the end results!

I want to know where they're getting the film.

Duncan

When the ensuing process gets in the way of the final objective, what's the point? How does a 4.5x6 foot negative give you anything more than a 16x20 negative? Just costs more money, the equipment gets in the way, the process requires more investment in time, money, and energy that could be put towards the objective of the project. If the objective is not exposing American cultures, then what's the point? Making big pictures? Because you can?

No thanks. I'll take my money and dedicate it to my 8x10 projects and let the sensationalism alone.

tim
 

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The prints however most probably will be digital prints.
 

ROL

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I tried real hard to find something to cynically dis– about this man and his project, but taken as presented on the site, all I can come up with is great admiration for both.
 

John Koehrer

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When the ensuing process gets in the way of the final objective, what's the point? How does a 4.5x6 foot negative give you anything more than a 16x20 negative? Just costs more money, the equipment gets in the way, the process requires more investment in time, money, and energy that could be put towards the objective of the project. If the objective is not exposing American cultures, then what's the point? Making big pictures? Because you can?

Some climb mountains, some jump off cliffs in a flying suit, because they can.
 
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The portraits look like they're made on 8X10 (in terms of DOF, at least) ! I guess that such a big camera as the one he claims to use would have huge focusing problems at such close distance focusing. Seems impossible to make portraits to me... then, I might be mistaken...

And the use of such huge negs (where did he get them manufactured, by the way ??) will pose huge problems with scanning them in order to print the huge plotter prints he displays. Did he scan them in a custom-made ultra large format scanner ? Or did he cut them in smaller pieces and made them fit in a usual large format scanner ? I don't know whether someone could find a scanner that will fit a 6foot large transparency or neg !!
 

Dan Fromm

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Here is the video I saw about Dennis Manarchy. This camera is real, it's a 32 foot truck and the negs are 6 feet long!

https://www.youtube.com/watch?feature=player_embedded&v=v8LnbRgoE5E#t=41

Interesting. The camera shown at 1:07 in the video isn't nearly as large as the trailer cam (artist's rendering, vaporware until proven otherwise) and the lens-subject and lens-back of camera (if that's where the film plane is) distances make no sense for possible focal lengths. I don't think he's shooting over 1:1, and the images on the negs shown later in the video are larger than that.

Until proven otherwise, fantasy.

Re the fantasy, sorry, dream, that drives all this, I don't see the connection between straight-on head shots and culture. More marketing fluff. Wrinkled old faces with stubble and without context ...
 

k_jupiter

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That seems to be popular lately, if you can't make a good photo, make a really big photo and accompany it with a really pretentious "artist's statement" so everyone knows how special it is.

Thank you. I think that sums it up in a nutshell.

tim in sanjose
 
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