For Trade WTT: E6 & C41 films for B&W film… or a lens

Kildare

A
Kildare

  • 6
  • 0
  • 1K
Sonatas XII-46 (Life)

A
Sonatas XII-46 (Life)

  • 1
  • 2
  • 2K
Double Horse Chestnut

A
Double Horse Chestnut

  • 13
  • 4
  • 3K
Sonatas XII-45 (Life)

A
Sonatas XII-45 (Life)

  • 4
  • 2
  • 3K

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Trader history for scheimfluger_77 (0)

Joined
Mar 21, 2006
Messages
839
Location
mid-Missouri
Format
Pinhole
Item numbers 1-6 have been in my freezer since acquired from friends and various f295 members for at least the last 3 years, probably longer, I can't remember. Item #7 recently received from H.S. friend and f295 member "Sarge." Can't say for sure about storage conditions on everything listed below prior to me, but were probably refrigerated/frozen given the sources.

120 rolls
1. Agfa Ultra 50 1-roll; exp. 06/2000
2. Kodak Ultra Color 100UC; 5-rolls (1 propack); exp. 06/2006
3. Kodak bw400cn 9-rolls; exp. 11/2005

220 rolls
4. Agfa Portrait 160 11-rolls (2 propacks & 1 loose in wrapper); exp. 02/2004
5. Fujichrome RVP 100F 5-rolls (1 propack); exp. 06/2006
6. Kodak Ektachrome E100 GX 4-rolls; exp. 01/2005

4x5 sheets
7. Kodak Portra 160VC 50 sheet box unopened; exp. 08/2006

I am interested in infrared film of any flavor; 4x5, 120, 135. This includes any Superpanchromatic films such as Ilford SFX, Rollei Superpan 200, Rollei Retro 80S or 400S. Or any other films that may even hint at near-IR sensitivity in their documentation such as Rollei RPX 25, Rollei ATP 1.1 and Fomapan 400. If you have some stray 5x7 B&W (any type) a little bit of that is ok too.

--> OR -->​

(I know this is a long shot but I'll ask anyway) A large format portrait lens. I currently use a 4x5 Crown but anticipate going to a 5x7 something eventually, so I'm trying to pick up lenses that would work for either format. I prefer a lens in shutter but that's not absolutely necessary, just as long as I can mount it.

Please feel free to PM me with questions or offers. I will probably wait a few days to respond in order to gauge interest. I am making this offer on LFF and APUG. Thanks everyone
 

j-dogg

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Joined
Jun 26, 2010
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1,542
Location
Floor-it-duh
Format
Multi Format
I have about 20-ish sheets of Arista EDU Ultra 200 (Fomapan 200) in 5x7 still in date, made some good negatives on my 5x7 Kodak. I might even have a few holders. I would take the 220 and BW400CN for it.

Tell you what, if you had a Nikkor ultrawide like a 20 UD, Vivitar 17 or something similar, I might trade you my whole 5x7 outfit which is as follows

Some sort of wooden Kodak 5x7 kit camera.......when Eastman-Kodak was building their photo empire they bought out these mom and pop camera shops and resold all of their equipment as DIY kits and this is one of them. It's light-tight and has made several negatives successfully. It might need a new bellows soon. And maybe a lensboard retention mechanism or something. It's kind of rough really but it does work and would be a great basis for something nice. Plus....it's wood! I can't tell you how many Asian tourists in the Florida Keys took selfies with me and this camera lol. I've moved to a 4x5 Graphic View I monorail and Schneider 180 since then though and this thing never gets used which is sad because, it's a great piece of history. I don't know how old it is but I would guess 1900's.

10x Folmer Graflex 5x7 holders and a few others for parts. I think I have a wet plate holder too. I'm pretty sure there's a Lisco-Fidelity holder somewhere. All are light tight and in good shape.

2 4x4 lensboards, one with a lens mounted, Bausch and Lomb Zeiss Tessar 13.5cm 4.5 in a Compur Deckel, covers 4x5 I think. It's a start. The shutter works but all the speeds are fast and honestly it's good for parts. It took a hard fall in Pigeon Key and actually damaged parts of it I was able to rig it for the rest of vacation. It's good for parts but the lens cells are in good shape and form a nice sharp image in the ground glass.
 
OP
OP
Joined
Mar 21, 2006
Messages
839
Location
mid-Missouri
Format
Pinhole
PM sent

I have about 20-ish sheets of Arista EDU Ultra 200 (Fomapan 200) in 5x7 still in date, made some good negatives on my 5x7 Kodak. I might even have a few holders. I would take the 220 and BW400CN for it.

Tell you what, if you had a Nikkor ultrawide like a 20 UD, Vivitar 17 or something similar, I might trade you my whole 5x7 outfit which is as follows

Some sort of wooden Kodak 5x7 kit camera.......when Eastman-Kodak was building their photo empire they bought out these mom and pop camera shops and resold all of their equipment as DIY kits and this is one of them. It's light-tight and has made several negatives successfully. It might need a new bellows soon. And maybe a lensboard retention mechanism or something. It's kind of rough really but it does work and would be a great basis for something nice. Plus....it's wood! I can't tell you how many Asian tourists in the Florida Keys took selfies with me and this camera lol. I've moved to a 4x5 Graphic View I monorail and Schneider 180 since then though and this thing never gets used which is sad because, it's a great piece of history. I don't know how old it is but I would guess 1900's.

10x Folmer Graflex 5x7 holders and a few others for parts. I think I have a wet plate holder too. I'm pretty sure there's a Lisco-Fidelity holder somewhere. All are light tight and in good shape.

2 4x4 lensboards, one with a lens mounted, Bausch and Lomb Zeiss Tessar 13.5cm 4.5 in a Compur Deckel, covers 4x5 I think. It's a start. The shutter works but all the speeds are fast and honestly it's good for parts. It took a hard fall in Pigeon Key and actually damaged parts of it I was able to rig it for the rest of vacation. It's good for parts but the lens cells are in good shape and form a nice sharp image in the ground glass.
 
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