Lots of young people do not understand that the first & best & free storage place they have to fill first is their mind, and not any kind of box.
Actually, the first and most important point of Luckless' post is that they do:
"Lots of young people care about information, memories, emotion, and feelings more than they care about specific physical things."
Lots of young people are no able to see that those elements also live on those physical things.
The core of the point is that even if a physical paper copy of something might be preferred for many reasons, a digital rendition of the information can be just as effective for the purpose of communicating information. Not to mention that the collective works of classical English literature are so much easier to carry around on an SD card than they are in original hard copy. Libraries and security vaults aren't the most portable things after all, but Shakespeare's words don't really change if you copy them to paper or an LCD.
Or you die and there is no one around to refresh the files on a regular basis or migrate the files to new formats or new media.
Prints and negatives can live in shoe boxes unattended to many decades. Do not try that at home with your digital data.
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And anyone should care about that, why exactly? If no one cares enough about the data to keep carrying it forward, then the data probably didn't matter all that much to begin with.
I've been around computers since I was a wee lad, ...
Correct. There's a difference between what is theoretically possible to preserve a culturally important artefact, and what care someone with only a passing relationship to the content and technology might be likely to employ.A negative/positive doesnt require an interface of any sort, just your own eyes.
Not trying to pre-date you, at least in terms of years, Sirius. You started about 18 years before me on the calendar, but I bet I started at a younger age!I started programming in October 1962, the month of the Cuban Missile Crisis, so I doubt that you predate me.
This is the main point here, film photography doesnt require you to be careful, just keep a negative. Digital photography instead requires you to make multiple backups, and a minimum understanding of a computer.
Because a digital camera is a computer it doesnt produce a photograph, it produces a file that can be later converted into a photograph. But if our computer wasn't able to read JPEG files all we would have is numbers.
A negative/positive doesnt require an interface of any sort, just your own eyes.
Correct...
but there is always that fear of it going wrong, of losing all my photos due to a corrupted hard drive or sd card
I found the video too long and too preachy.
After watching (and skipping through bits, 38 mins is way too long) my conclusions to his video:
1. The reason you should shoot film is because you want to.
2. Digital does not have to be bad for film to be good.
3. Poor storage affects film as well as digital.
For some reason he got my back up and made me feel defensive. And I love film!
No, it has nothing to do with visualisation. It has to do with seeing something you recognise that doesn't require intermediate technology to view it. In other words a finished thing. Do you recommend a novel to a friend and say "I don't have a copy, but here's a dictionary that includes all the words. Just put them together in the correct order".but that has nothing to do with storage, only with visualization.
No, it has nothing to do with visualisation.
It has to do with seeing something you recognise that doesn't require intermediate technology to view it.
In other words a finished thing. Do you recommend a novel to a friend and say "I don't have a copy, but here's a dictionary that includes all the words. Just put them together in the correct order".
I wouldn't be at all surprised.I would say: I have a book (stored) with words on it, you can look at it the way you want
It could have been a short career for you and for the sum total of the rest of the world's careers. Dangerous days.I started programming in October 1962, the month of the Cuban Missile Crisis, so I doubt that you predate me.
According to Henry Wilhelm, archival storage of color film is anything but passive. For instance, Life Magazine photographer Larry Burrows' widow and son, Vitoria and Russell respectfully, have his slides from the Vietnam War duplicated. The duplicates are stored in a cold storage vault at Time Warner's headquarters in NYC, while the original are kept in a refrigerator in his apartment a few mile away. On the fridge is a thermometer/hygrometer so they cam monitor temperature and humidity levels. Dead Link RemovedFilm has the advantage in that passive storage is usually adequate.
Excuse me
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but that has nothing to do with storage, only with visualization.
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Not trying to argue but lets say that 50 years from now, when everyone uses quantum computers and "y" operative system,you come across a memory stick that was formated using Linux or OSX. You do requiere something to convert the digital info into a visible representation of the jpg file. You cant look into the binary jpg data and say "oh thats a nice family portrait there". You do need a computer/OS compatible with the file's format to view the image.
A negative, on the other hand, you can hold it agaist a lamp and see whats the photograph is about, without any interpreter at all, just your eyes.
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That said, I find it rather unlikely that tecnology would just forget and abandond a common used image format, even in 50 years or so.
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Just as a d-g-t-l image needs an interpreter for its visualization, a film needs a chemical process for that latent image to create that physical negative and visualization (unfair or unequal comparison you may say) And if we keep on talking about the immediacy of visualization, if the d-g-t-l camera has a screen, you do not need anything else (again an unfair or unequal comparison you may say). I do not know if I have explained myself well this time.
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