Why you should be shooting film

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Luckless

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Nature is a bitch. The laws of physic have your whistling in the wind, unless there are several really great break troughs in memory storage. When you loose your photographs please contact me so I can say, "Told you so."

I'll be sure to let you know when my workstation drives all fail, along with the NAS, the online local backup drives, the weekly offline leap frog drives (4 sets of drives rotated every week to sync to the latest dataset), my friend's place in town with a similar setup, my cousin's place in another province, another friend's place in Europe who runs an even more elaborate setup than either of us, the two cloud services things are synced with (not considered reliable backup, but rather an ease of access service), and the professional online backup service. Oh, and my sister and several other relatives get copies of all the family stuff and other photos that I really care about.

But yeah, I willing to believe that all of that is so much more at risk of being lost than the box of probably rather flammable paper and plastics I have on the shelf of all my physical negatives and such.



Hey, don't dash my dreams, man...
(I'm an old Unix --Bell Labs, Digital Equipment Corporation -- guy)

They could, but they don't and they won't. Why? Because they perceive there's nothing important on that media (like my 1974 Lunar Lander game).

Saving digital images isn't a technological problem - it's a problem of the will of our heirs to value an ancestor's images and continue to preserve them. That's true of negatives or prints as well. However, as with the example of Vivian Maier, having the images immediately viewable by a mere stranger is an advantage.

Okay, fair enough. The world probably would be a better place if everything just magically switched over to Unix rooted tech if we're going to mention that point.

However I'll be sure to inform the kids I know who enjoy building and recreating old tech that they're "Doing it wrong" and that they should all promptly cease and desist their love of early computing history and building things. As a bonus maybe I can convince them to give me all their old tech they've somehow managed to collect. Oldest system I have is a partially working first gen Pentium box that I still need to refit for my Dos games and the like.



However digital copies of media does have one clear advantage - If you care more about the images being preserved and available to the world than who specifically 'owns' them, then you have the option to make them available to the world before you go, or see to it that they're supposed to be made available soon after the fact. There they can live on the data hosting of geeks around the globe, and it will stand a fairly good chance of being carried forward as part of historical datasets - Filtered, sifted, and cataloged by legions of geeks who enjoy data and preserving things. (Seriously, there are groups of us out there working on projects to preserve some exceptionally random junk, many of whom go to far greater lengths and into stranger stuff than I myself care to go.) It may be infinitely split, copied, and shared around the globe -

Physical originals however may only ever be passed from one custodian to another, and will forever remain at risk of falling into the hands of one who isn't suited to the task. Even if a million others around the globe may be happy to preserve them safely the items still face the risk that someone won't care enough to put the effort into getting them into the hands of the next person.

Physical copies are a never ending line of only children - It may come to the end at any generation with no protection. Digital copies are the heirs of Genghis Khan - Good luck killing off every last one of them. (Wait... genocide is bad. This is not an endorsement of such things.)



My personal views on the matter are that they are both valuable and important, and we should do our collective best to preserve our artistic creations going forward, regardless of medium used. However I rather doubt that I'm going to be around in a thousand years, and I'm not really going to worry too much about what happens to my creations after I'm gone beyond putting in the effort to lay a reliable foundation for others to work off of. - Careful cataloguing and storage of my negatives and select prints, and equally careful work given to my digital assets. If my collective family loses interest in caring for things, well lets me honest and acknowledge that I'm not going to be around to give a damn either way, so why lose sleep or stress over it while I am around?

That said, at times it is kind of tempting to gather up a giant stack of stones or something that is big enough that future generations probably wouldn't want to be bothered putting the time and energy in to moving them again. Worked for some Egyptians back in the day after all.
 

Theo Sulphate

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...
However I'll be sure to inform the kids I know who enjoy building and recreating old tech that they're "Doing it wrong" and that they should all promptly cease and desist their love of early computing history and building things. ...

I don't think I gave that impression and apologize if it appeared that way. My feelings are just the opposite and there are plenty of old devices I'd like to see re-implemented with an Arduino or Raspberry Pi.

Oldest system I have is a partially working first gen Pentium box that I still need to refit for my Dos games and the like...

Mine is a PDP-11 minicomputer system from 1974, working, complete with peripherals.

However digital copies of media does have one clear advantage - If you care more about the images being preserved and available to the world than who specifically 'owns' them, then you have the option to make them available to the world before you go...
...

I agree with you there.

...
That said, at times it is kind of tempting to gather up a giant stack of stones or something that is big enough that future generations probably wouldn't want to be bothered putting the time and energy in to moving them again. Worked for some Egyptians back in the day after all.

I've designed an obelisk for my garden. Seriously. Like the Rosetta Stone, it will have inscriptions in two languages I've created (and use in my books), with the third language being Greek.
 
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Sirius Glass

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I'll be sure to let you know when my workstation drives all fail, along with the NAS, the online local backup drives, the weekly offline leap frog drives ...

Or you die and there is no one around to refresh the files on a regular basis or migrate the files to new formats or new media.

Prints and negatives can live in shoe boxes unattended to many decades. Do not try that at home with your digital data.
 
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blockend

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Or you die and there is no one around to refresh the files on a regular basis or migrate the files to new formats or new media.

Prints and negatives can live in shoe boxes unattended to many decades. Do not try that at home with your digital data.
Maybe it's a generational thing? People who've grown up with digital photography can't get their heads round the idea that you can put anything in a box for 40 years, do nothing whatsoever to it, and it'll be ready to be viewed by removing the lid. Perhaps passive storage of anything is simply too weird to think about?

My mother was the photo keeper when I was growing up. She had a huge cardboard box she kept photos in, family studio portraits from 1900, tiny contact print snapshots through the 1920s, pictures of my father overseas in WW2, school and holiday photos of the family, get-togethers, everything was laid out three times a year, and we'd all paw through dozens of pictures. She'd hold each one for a minute, tell us all who the people are and when it was taken, what happened to them, what the connection was, and move on. Even though I had the attention span of a fly, we'd all listen and look at these people who stared back at us through the decades and often from beyond the grave. There'd be laughter and a few tears and do-you-remembers, then they'd all be put away until next time.
Digital photography may provide an equivalent social experience, and all the 3mp and 3000mp photos will be seen together in 70 years of family photography, but I think many will be lost because they were never quite there.
 

ME Super

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Yes then the photographs will degrade over time unless you regularly refresh every file. Of course when the OS changes or gets replaced or when the storage format changes or you just replace your computer, there is a risk that the images will be lost. NASA almost lost all the pre Apollo landing surveys, but did lose many other photographs. But that is not important because you are so confident that you know more about digital storage than the industry experts and researchers. Good luck to you.

The files get "refreshed" when they go from the network drive to the new computer's hard drive. Yes, I'm aware of bit rot, having lost some photos that way. But I have photos on my networked hard drive that were taken back in 2001 that survived moves to multiple new computers. As each was read from the hard drive of the old computer and written to the hard drive of the new computer.

I've been around computers since I was a wee lad, having written my first computer program with guidance from a high school science teacher when I was 10 (I later took Physics and Chemistry from him once I was in high school). I've lost data. I've lost old photos. A friend of mine and I used to get together and write our own games on the weekends, then play them. I do IT for a living. I am acquainted with what can happen, and do take precautions. But in case ya hadn't noticed, I'm here too, and although I do take the occasional snap with my phone, and also the occasional snap with a digital P&S, over 90% of my photography is film.

Which reminds me, I have some digital photos of my grandmother's 90th birthday (we celebrated it in November) that I need to have printed to paper, and also to slides.
 

LAG

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Maybe it's a generational thing? People who've grown up with digital photography can't get their heads round the idea that you can put anything in a box for 40 years, do nothing whatsoever to it, and it'll be ready to be viewed by removing the lid ... ...

Excuse me blockend

What generation? Not being tolerant and sympathetic is (clearly) part of both, and not uniquely and exclusively D-g-t-l.
 
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blockend

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Excuse me blockend

What generation? Not being tolerant and sympathetic is (clearly) part of both, and not uniquely and exclusively D-g-t-l.
It's nothing to do with tolerance and sympathy, we're discussing the long term viability of virtual image making, not morals and ethics!
 
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Why you should be using film and ditch the digital devices?
Look what the digitographers did here: (there was a url link here which no longer exists)
This is what happens when you don't shoot film.
Please, don't let another factory going to the scrap.
Use film, any film at all.
 
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blockend

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I'm sorry! It has to do with people dealing with people too...
It's a perfectly valid observation, not a personal slur. The guy in the original link is a young man but he gets the problem. I don't think most people of his age do, because they don't have a decades old photographic collection to compare like with like. The reason I posted the thread is because it's unusual for a guy in his mid-20s to offer more than cosmetic, fashionable responses to film photography. In spite of the hipster trappings he spoke a great deal of sense in a passionate way.
 

LAG

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It's a perfectly valid observation, not a personal slur. The guy in the original link is a young man but he gets the problem. I don't think most people of his age do, because they don't have a decades old photographic collection to compare like with like. The reason I posted the thread is because it's unusual for a guy in his mid-20s to offer more than cosmetic, fashionable responses to film photography. In spite of the hipster trappings he spoke a great deal of sense in a passionate way.

Yes, I understand it.

I said before that the whole idea that he wants to transmit with his video is admirable. However this is no news! This guy is just another guy who has discovered qualities on film that he believes are advantageous and the main reason for shooting film. And IMHO the news is this: He does it wrongly, because of his short-sighted view.

A guy of his age who discovers film photography? Wow! Most of us here have gone through that at some point in our lives, but perhaps some (in either generation) with a better educated vision and different comprehensive behaviour without having to overthrow other past or future Photographic possibilities.

Best
 
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blockend

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Yes, I understand it.

I said before that the whole idea that he wants to transmit with his video is admirable. However this is no news! This guy is just another guy who has discovered qualities on film that he believes are advantageous and the main reason for shooting film. And IMHO the news is this: He does it wrongly, because of his short-sighted view.

A guy of his age who discovers film photography? Wow! Most of us here have gone through that at some point in our lives, but perhaps some (in either generation) with a better educated vision and different comprehensive behaviour without having to overthrow other past or future Photographic possibilities.

Best
Not news to you perhaps, but most people don't even know film still exists. APUG is not typical in any way of the wider photographic world. In that world the more megapixels, the better the photos that come out the other end. Nothing else to discuss. Archival permanence? I gotta cloud for that, next question. He made it clear, as have I, that it isn't a film vs digital question - he even said digital IQ was better. It's purely an access and archive issue, and who's right won't be proven for some time.
 

LAG

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Not news to you perhaps, but most people don't even know film still exists.

What people? I do no know a single photographer (whatever they Photograph with) who doesn't know where Photography comes from. Besides being another different matter (which has to do with knowledge), I insist that the arguments of this guy do not go in that sense, and do not help.

In that world the more megapixels, the better the photos that come out the other end.

Better Photos? No (neither better "Quality") That's another urban legend which wrongly grows in both worlds. Size is what matters.

Best
 
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blockend

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What people? I do no know a single photographer (whatever they Photograph with) who doesn't know where Photography comes from. Besides being another different matter (which has to do with knowledge), I insist that the arguments of this guy do not go in that sense, and do not help.



Better Photos? No (neither better "Quality") That's another urban legend which wrongly grows in both worlds. Size is what matters.

Best
Ok, have a nice day!
 

Luckless

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I would expect that most people in the developed world are well aware of film and what it is. Many of the younger kids, and maybe even some teens at this point, might be scattered mostly around the 'vaguely aware' to 'never seen film in person before' groups. But I have met many photographers who had never before seen 120 film, and comments of "Oh wow, they still make film?" are not remotely uncommon in my experience.

People who don't have a vested interest in using film or otherwise caring about it aren't going out of their way to think about it, probably much in a similar way as most people think about 'vacuum tubes' (or 'valves'?). If you know anything about them then you were either alive during the period where they were in common usage, or you're some manner of tech head, but otherwise odds are your knowledge or ability to care about them doesn't really extend beyond them being "Those weird lightbulb things on old timey computers in movies or TV, or on old radios, or amps." - If you don't have an interest in them, then you're not going to really care or look into the current market of something, and won't have any real knowledge of things if it isn't something that is right in your face or covered in the media.

To many the most recent big news they've seen in the media was Kodak 'going under'. Doesn't take a genius to put two and two together; Kodak going under, never really seeing anyone using or talking about film... Obviously they don't make it anymore, right?


Or you die and there is no one around to refresh the files on a regular basis or migrate the files to new formats or new media.

Prints and negatives can live in shoe boxes unattended to many decades. Do not try that at home with your digital data.

And anyone should care about that, why exactly? If no one cares enough about the data to keep carrying it forward, then the data probably didn't matter all that much to begin with.

I'm still in my early 30s, and the files I care the most about are in the hands of people I trust to handle them going forward if I get hit by a bus tomorrow. My collection of negatives will be handled by some photography friends. In all honesty I have far greater hopes that the majority of my important files will survive centuries than I do any of my negatives.

There is another "Generational thing" that I think may have gotten overlooked in this conversation: Minimalism.

The future generations coming up after all of us? Even my own generation? They wander around with a device that easily holds all the informational content of the library of congress in their pocket. Photos are things they look at on a phone or a computer screen, and only really good or important ones are worth spending the time and effort on creating a physical version. "Things" take up space. "Things" need to be moved. "Things" cost money that could be better spent on "Events" and creating memories.

Of course we like physical things. We have stuff, we fill our homes with things we enjoy, but we're also far more willing to part with 'stuff', and the physical items in and of themselves really aren't super critical in life.

The feelings and emotions of a thing seem to be becoming far more prized than the thing itself as compared to impressions given by some previous generations. This is kind of highlighted in how people are viewing the entire concept of photos.
If I have to select one photo that I care the most about it would likely have to be a photo of my grandfather standing by his tank somewhere in Europe. The copy I have is not the original. It is not the first print of it. It isn't even made from the original negative, but rather a scan of an old print one of my aunts made for all the grandkids, and it is one of the very few 'things' that is allowed to take up physical space in my life.

But in all honesty I really don't care about that photo. That is to say that I don't care about the paper, the wooden frame, and the bit of glass. I care about seeing my Grandfather in his prime standing in front of his tank posing for a photo. I care about the information shown, the memories of who he was, and all that the image represents, as does my family. And that is why copies of it exist as physical images in more than a dozen homes across Canada. Digital copies also exist in most of them, and on servers scattered around the globe, and stored away on redundant archival tape drives.

If my home burns down tomorrow I am not going to think about that framed photo hanging on my wall. I'll have far more important things to worry about. However in a month or two after that I'll have another copy of it. A black wooden frame with a crisp white matting and anti-glare uv protective glass, or whatever the sticker I probably won't read and just peel off says. I'll have somewhere else to live, and the photo I love will be back on the wall where it belongs. Not because the physical item itself had any meaningful value. - It was paper, and dyes or pigment arranged in a specific fashion, and millions of them could have been made.

I'm sure some users of this site would find that heartless and somehow insane, having so little care about a photo. But the key to it is that even after my house burned down and even if I lost every personal possession I might own, I can still have my home and the photo I care about, because I cared about what the content was, what it represented, and not about the thing itself.


Now continue that line of thought, and consider how mobile my generation has been, and how mobile those following me are likely to be. You are trusting your shoe box of photos to a generation who can have three jobs in three different cities across a country as large as Canada, all in a single year. My generation is not the generation who got a job sweeping floors at the local factory right out of high school, and then stayed working different jobs in that same building for 40 years before retirement. Mine is the generation of the mobile professional. We roam.

And you know what? We like it. We aren't living in the 50's or 60's. We aren't even leaving friends behind while we roam. One of my best friends is currently living in New Zealand, and having a blast. I was going to say that we might not be able to sit down and have coffee together easily, but then I realized that we actually did. The coffee didn't come from the same pot, but I sat there drinking coffee with them a few hours ago and had a great conversation with them.


So what do we have today? We have a growing generation of mobile professionals building communities spanning the globe. A generation who apparently is more likely to live out of a small apartment and move everything they own, or everything that they at least keep, in the back of a car when they drive to a new city than they are to own their own 4 bedroom house.

And people honestly believe a "Shoebox of old photos" is going to be safe with these kids? Are you really so confident in us that you truly trust us to be the custodians of such things?
- Among my peers I'm apparently an oddity for living in the same physical structure for more than five years, let alone living in the same city for this time frame. I've already gathered a small stack of shoeboxes of "Family photos" - Asked by friends to scan them rather than risk the photos getting lost when they moved out west with two suitcases, to the states with a jeep already stuffed to the gills, or off to Thailand with a backpack smaller than I foolishly took with me on weekend hikes as a Boy Scout back in the day.

The very important thing here is that most of those shoeboxes in my closet? Those aren't photos of my family. I have no strong compelling reason to care about them, and the only reason why I still have them is that I still somewhat care about physical artifacts even if they're not exceptionally important to me. But honestly the biggest reason is that I don't really have a compelling reason to get rid of them yet. They'll get passed back to their rightful owners if they ever move back to town, and I have no pressing need of that bit of closet space at this time.

But a company out in Vancouver has floated the idea of me possibly joining them later this year for a new project. What exactly am I supposed to do with those shoe boxes of other people's family photos then? If I take the job and move there I will not be paying the insane price of moving all the contents of my place across the country. A few bags of clothes are going with me. My laptop and all my hard drives are getting boxed up and coming, but the rest of the computers and monitors (IT professional, computer gear multiplies at an alarming rate) are being sold or given to friends. I'll box up my father's tools and maybe his cast iron frying pans and eat the parcel post fees for all that. The camera gear of course, at least the "Price Dense" stuff like the actual cameras, flashes, and such, but light stands, modifiers, and the bin of "stuff" will scatter to photography friends here, and I'll buy new bits as needed, if needed, when I'm out there. My negatives and such will of course come along for the trip. But everything else I own will be sold, given away, or otherwise 'left behind' when I go, and all without me having any worries about it.

The physical things that I truly cherish but can't reasonably take with me will be passed on to friends and family here, in the same way that much of it came into my possession in the first place.

The physical copy of the photo of my grandfather that is on the wall right now? It might go in with the clothes if I have the space. Or a new copy might be made to hang on the wall when I get out there. I'll honestly be rather indifferent as to which option I go with, and will only care that I have 'that' photo on my wall.

So where do those shoe boxes of old photos from friends fit into my moving plans? - The answer is very short and rather blunt: They don't.


Now that I think about it I have to say that the "Shoe box of Photos" that "Survives forgotten on a shelf in the back of a closet" of my generation is the "[Friend's name]'s Junk" folder sitting on my computers and in my backup files. I haven't looked at some of those folders in years. Their checksums all match up. Decades of data management tool development all say they're stable and intact. The files are guarded against bitlocker or other data attacks better than my physical photos are guarded against burglary, arson, or just a pipe bursting. I honestly forget most of what's in those folders, but I'm more confident that they're safe and in good shape than I am of what is in those shoe boxes of photos in my closet that I haven't opened in years.

I could delete those friends junk folders. I could free up a bit of space and never worry about them again, but honestly data storage is cheap, and they're a small enough fraction of my own data that seriously kind of less worry to just not worry at all about them. The photos and documents in there are going to stay there. They're in the archive. I glance at them every few months out of habit when I skim through things to make sure all the computer systems are in check and nothing has broken, but they'll otherwise keep getting copied. They'll keep being dragged forward through my modern technological life mostly because they take me just as much effort to throw out as they do to keep.

Other copies of them exist with other people. Our data is becoming more and more searchable as well. We're tagging people. We're keywording. We're sorting, cataloging and collecting. When something happens to make us wonder about old photos, we search. We don't search though old boxes that we have to go dig out of the back of a closet, we pull out our phone or or laptop and look things up there, and find the things we have in mind in minutes regardless of where we are in the world.

Actually at this point they effectively take more effort to throw out, because I would have to go hunting and jump through hoops to delete them, because the entire system is setup to avoid the data being destroyed.


But as far as all the physical photos I have here with me? I'll care about my photos. The things I created.
- Those shoe boxes of photos from other people's families? My friends have everything they care about from them already. Those shoeboxes are just things, photos of people I don't know for the most part, have never met, and have no real need to care about. They've become bits of paper sitting there, existing and taking up physical space, and left behind by their proper owners who have every bit of them they need in their pocket right now.

I likely won't throw those shoeboxes out. If I move here later in the year I'll likely pawn them off on another friend who has the needed storage space in a closet they're not using. If I stay, then the physical photos will keep sitting there in their boxes for awhile yet. Beyond that? Well I have no idea. The information contained in them has been copied, and is safe. The information on them is what was cared about by the owners of those photos, not the bits of paper they came on. Maybe a nice enlarger or something will get dropped off on my door step and need closet space to live in.


That turned out far longer than I was expecting when I started writing a quick reply, but was actually rather fun to think about and explore.

The Too Long, Didn't Read version for anyone in a hurry:
- Lots of young people care about information, memories, emotion, and feelings more than they care about specific physical things.
- Lots of young people move a lot, as such lots of young people keep very few physical things to make moving easier. (Is also easier to keep a place neat and tidy if it didn't have much in it in the first place.)
- To lots of young people something physical must be exceptionally special or important to them for it to reliably remain in their possession long term.
- Lots of young people hoard data and store lots of it because doing so is cheap and easy.
 

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Luckless, that was almost a manifesto.
Well done.
Those who are both older and inflexible will rail against you, but fuck'em.
And I say that as an older person.
 

Luckless

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There are two risks to being a writer and going onto internet forums:
1. The habit and ability to sit and write at length on a subject.
2. The lack of an editor between yourself and the audience.

A third risk is probably the tendency to continue thinking about pieces of writing after the fact, and how they could be improved. - So a hopefully small addition thought of while getting coffee.

I kind of worry that some would read my views in this thread as an "I'm right, you're wrong" argument, but they are honestly meant as "This is part of my life's experience, and the reality as I can see it". I had the luxury of not only growing up as technology exploded into the world and entwined itself into life, but becoming involved professionally. It would be a disservice to others who may not have shared such experiences to not make an effort to share them.


I cannot speak for everyone of my generation, but my views have been consistent with the vast majority of my friends and family of a similar age.
- If given the choice between a traditional darkroom print and an inkjet print of the same image, I'll prefer the traditional print. However, I will not turn my nose up at a good inkjet print. No, they're not the same. But photography isn't the same as painting either, and neither of those is inherently better than the other.


A very important thing to consider when it comes to what you are leaving behind in the form of physical prints and negatives: What exactly are you leaving, to whom, and what do you expect them to do with it?
- Great uncle Joe's "dozen filing cabinets of unsorted, undocumented negatives, prints, and 'other things'", is not an easy thing to handle or deal with. In the face of something like "I'm moving to LA for a job on less than a week's notice" then it easily becomes "One of those things I left behind".
- Great uncle Joe's "folder of prized memories"? Well that can probably find a space carefully slipped into a bag beside the laptop.
 

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The idea that someone has to "win"?
I told a friend of mine's daughter - 15 or 16 I think - not to trust anyone over 50 as we seem to be fucking the world up faster than its possible to keep up with.
I'm hoping the under 30s "win"
 
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blockend

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The idea that someone has to "win"?
I told a friend of mine's daughter - 15 or 16 I think - not to trust anyone over 50 as we seem to be fucking the world up faster than its possible to keep up with.
I'm hoping the under 30s "win"
Oh not self loathing old people guilt. Is this going to turn into a politics thread featuring Trump and Brexit? Of course the under 30s win - they live longer. Then it's their turn to be the old gits and round it goes. None of this has anything to do with archiving photography.
 

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Our data is becoming more and more searchable as well. We're tagging people. We're keywording. We're sorting, cataloging and collecting. When something happens to make us wonder about old photos, we search. We don't search though old boxes that we have to go dig out of the back of a closet, we pull out our phone or or laptop and look things up there, and find the things we have in mind in minutes regardless of where we are in the world.

That future brings me no consolation at all.

- Lots of young people care about information, memories, emotion, and feelings more than they care about specific physical things.

Lots of young people are no able to see that those elements also live on those physical things.

- Lots of young people move a lot, as such lots of young people keep very few physical things to make moving easier. (Is also easier to keep a place neat and tidy if it didn't have much in it in the first place.)

Lots of young people think that they have the entire and tidy World in their techological-pockets.

- To lots of young people something physical must be exceptionally special or important to them for it to reliably remain in their possession long term.

Lots of young people do not know how to appreciate some exceptionally special things (physical or not).

- Lots of young people hoard data and store lots of it because doing so is cheap and easy.

Lots of young people do not understand that the first & best & free storage place they have to fill first is their mind, and not any kind of box.

Best

p.s. And without quoting anyone, talking about winning or losing:

We should think about what we all lose and not what we will win from this. It is not a question of age, unless one thinks that Age is in our asses, they also store things.
 

MattKing

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"Oh wow, they still make film?"
I rarely hear this.
But I do hear: "Do they still make film?" or "Can you still buy film?".
I think the difference is important, because it means that people are more likely to be open to the existence of film, and the possibility that it can be used, either by themselves or somebody in their circle. And that open-ness is important to any possible resurgence.
The other thing I would hope:
That Luckless is a high speed touch typist, or has voice dictation available, because otherwise he is spending way too much time here on APUG.
(I'm a fairly quick hunt and peck typist myself).
 

MartinP

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I would expect . . . .store lots of it because doing so is cheap and easy.

Very nicely written and thought through, but all this means is that you are rich. Most people on the planet, those who are not rich, are too busy surviving to keep replacing everything around them a couple of times a year, however minimalist that might be. It may be that the all people in your 'bubble' all think and behave the same way (this sort of human characteristic is why marketing-demographics work after all) but that is not the world. I admit that I found the original video too silly to watch more than a few moments, but never mind - my own 'bubble' is different to yours.
 

moose10101

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Lots of young people do not understand that the first & best & free storage place they have to fill first is their mind, and not any kind of box.

Actually, the first and most important point of Luckless' post is that they do:

"Lots of young people care about information, memories, emotion, and feelings more than they care about specific physical things."
 

Helios 1984

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I don't think I've mentioned it before but when my grandmother died, I took her photo albums because I didn't wanted them to end up in a dump somewhere. To be honest, I don't care about a lot of pictures in these albums but I keep them because she cared about them. I don't want digital copies of these photographs, I want the photographs that she handled and cared enough to make albums. You just can't copy that. Oh I'm sure they'll eventually end up in a dump but not on my watch anyway.
 
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