gbroadbridge
Subscriber
In my younger days I spent literally tens of thousands of hours sitting in front of a 6 plate Steenbeck editing table, synchronising the sound and pictures of 35mm workprints/mag sound when the dailies arrived from the film lab for projection later that evening to the assembled cast/crew.One of the fascinating bits surrounding ""Oppenheimer" is that some editing was actually done the old way - by physically cutting and then re-attaching parts of the editing stock -
They of course were the dailies from the previous day's shooting.
Then they'd be chopped up again and put into hanger bins for first workprint assembly the next day.