Why shoot analogue colour photos?

koraks said:

I remember the problems with dust back when I used a canon 20d. On my already geriatric Canon 7D, I've never suffered from dust problems. Its auto-cleaning mechanism seems to avoid whatever problems I would encounter otherwise. Don't all contemporary cameras have a similar feature?

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My cameras have that feature but yet I still have problem with sensor dust.

albireo said:

Absolutely, but I think OP was specifically asking for reasons to use colour negative film to generate pictures. Camera ergonomics and usability is a factor here for many.

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I shoot film for all the reason Koraks said and I use color film because I don't shoot B&W. I do like the ergonomics of old cameras better than modern ones but that's not the reason.

koraks said:

I remember the problems with dust back when I used a canon 20d. On my already geriatric Canon 7D, I've never suffered from dust problems. Its auto-cleaning mechanism seems to avoid whatever problems I would encounter otherwise. Don't all contemporary cameras have a similar feature?

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I don't know, my used Pentax K-1 came with some minor dust spots on the sensor that I've never been able to completely get rid of no matter how many times I've used the sensor clean feature or blower devices.

Taylor Nankervis said:

the clinical, sharp, sterile output of digital (I really cannot stand looking at digital images which have been so overly sharpened and falsely colourised that it tears the retina!).

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There once was a time.....when it was easy for me to buy a calendar. That point will be arriving soon, once again, with the year 2026 just around the corner. The problem is that every calendar nowadays -- even the Sierra Club calendars -- are painful to look at, Horrible, digital garbage. It looks like I'll have to finally bite the bullet -- and make my own. There is a "OFF-ramp!!!!

Pieter12 said:

The fuss and bother of doing a proper digital scan of color negative is about equal to that of adjusting a digital file to have a more film-like look.

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That hasn't been my experience at all. Perhaps it has to do with the particular scanner & built-in software, but as long as I have a clean negative, scanning is very quick. Not that the scanners don't give me trouble now and again -- just like printers -- but most of the time, they work great.

Pieter12 said:

The fuss and bother of doing a proper digital scan of color negative is about equal to that of adjusting a digital file to have a more film-like look. Both take time and skill to do well. A lot of what makes film photos have a certain look is the lenses. Adapters are available to use some of those on modern digital cameras. A lot of the appeal of film photography is about boasting rights, trendiness and stubbornness.

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"I am unable to take pictures I like via scanned film, so people who claim they are, are boasting and trying to be trendy and stubborn".

Not necessarily, and uncalled for. There are people out there who get better results from their digitized film than their digital camera.

They also find the process of digitizing film easier than shooting with a DSLR and photoshopping and/or the results more pleasant.

I don’t really shoot colour film these days because of the overheads of cost and processing. I shoot plenty of B&W film and process & print myself. It’s affordable which makes creative trial and error feasible.

But I feel I can always identify colour negative originated images whilst acknowledging that the best of slavish photoshopping might get past me.

In fact I think the idea that digital just ‘replaces’ what film does is highly questionable. Even more so than the distinction between vinyl and digital audio, Colour negative & digital sensors both produce images but they are quite different. Whilst digital has replaced film for most image production, it’s clearly not the same thing to educated eyes - a point of consensus on both sides of the partisan divide of digital / analog. Apart from the fact that they render images differently, there’s the other substantive fact i.e. that they ARE different. They are physically different materials with very different workflows. And in an age where A.I. Technology increasingly devours any last remnant of digital origination / acquisition, debatably the distinctions between digital and colour negative might in future become ever more significant as people loose faith their own capacity to believe in digital ‘photographs’ as factual vs synthetic.

Hold onto those cameras!

loccdor said:

I don't know, my used Pentax K-1 came with some minor dust spots on the sensor that I've never been able to completely get rid of no matter how many times I've used the sensor clean feature or blower devices.

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Some dust (or whatever it is) can be removed from the sensor only with contact cleaners. Swabs or adhesive rubber sticks. I had one spot in my old Canon 5D Mk II that I needed to use an adhesive rubber stick multiple times to get rid of it.

gbroadbridge said:

Each new roll of film is the same as putting a new sensor into a digital camera.

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More like the sensor In a modern digital camera is like having any number of rolls of different film on hand all the time.

koraks said:

What's the advantage of this, though?

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Well, as you know, many folks spend big bucks on attempting to simulate the look of films, whether by software, or by cameras which purport to achieve a look similar to that of film.
They miss the point in a way, because there is more than just the aesthetic, there is also the process which begins with a film choice though visualisation and photography, then to final printing whether by traditional or digital means.

A new roll of film, loaded with a particular subject set in mind, fresh and hopefully not degraded by dust or temperature variation works better for me at least, than taking my Fuji X-T3 and wandering around trying to make up my mind for each shot which sim to use, or even worse, shooting raw and then fiddling around in post trying to fit a simulation to an image.

A new roll of film locks everything in, the base film characteristics, the colour temperature, the speed - and it's a nice clean canvas upon which to imprint an image.

I guess a painter feels the same way, when preparing a new canvas set upon an easel.

Okay, thanks for clarifying. I can see what you mean, although I can't say I agree from my personal perspective. Things work differently for me.

gbroadbridge said:

A new roll of film locks everything in, the base film characteristics, the colour temperature, the speed - and it's a nice clean canvas upon which to imprint an image.

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Beautifully put!

I enjoy it. I did once think I'd only use film for B&W but once I started shooting colour film again I realised that I enjoy it more than digital. I do still shoot both digital and film. Sometimes of the same subject. I suspect that technically it is possible to make the digital shots look like the film shots but I like the inherent differences that occur in my workflow.

Sure, I can shoot a zillion digital photos at zero cost....except the cost is in sorting the wheat form the chaff and editing them. With film, I'll shoot a roll or two of any given subject or on any given day and often more than 50% are keepers. Less time editing/faffing. I am also in the enviable position of having a lab close to me that will process any format C41 and scan reasonably well for £6 which is a bargain. If they ever close, I shall probably learn C41 processing myself.