^ this needed saying.
Any test is better than no test of course.
This would be such a useful lens for me. The outrageous expense is the issue.
Thanks!
Nikon F3HP, Vivitar 1 Series 70-210 2.8 @ f8 1/2000, 2x Teleconverter Noname, Tmax 400 @ 1600 expired in '06, Tmax Dev 1:1 @ 75 Degrees.
The whole roll came out real nice I gotta say. Sure it's got grain you can pick out with a tweezers, but it sure was fun shooting with the MD and annoying the digital guys around me. Clunk SCRRRCHchuckSCRRRCH. My arm and shoulder took some time to recover...
Here's a link to the album
http://imgur.com/a/hpAz3
I knew it was the blue angels! Saw them when I was a kid.
Somehow I got quoted saying something about a 35mm FLE asph, which I don't own.
Honestly I get richer/deeper colour and tonality shooting 120 in my Bronica ETR or SQ systems than I ever did using titchy 35mm in a Leica, and even then I agree with a previous poster the Zeiss lenses give more intense colour than Leica lenses.
Do yourself a favour and move up to a larger format.
Tulips - Portra 400 - Leica Elmar 35-70
There are millions of Tulips planted around Istanbul. JPEG compression really killed the image...Tulips - Portra 400 - Leica Elmar 35-70
There are millions of Tulips planted around Istanbul. JPEG compression really killed the image...
You do know your Leica Mini Zoom is actually a repackaged Vivitar made in Japan, right?
It is the Vivitar Series 1 500PZ Data Back Power Zoom.
So perhaps you should rename this thread "Why Vivitar, my view with new technical research"?
The OP's original two questions were: "Why Leica ? What makes it?" I think you answered his questions. Not much fun in jabbering on about Vivitar lenses even if they are branded Leica. Kinda makes one look like an idiot.Did I just kill this thread by revealing the man behind the curtain?
Shame on you.. thread was starting to get funDid I just kill this thread by revealing the man behind the curtain?
Did I just kill this thread by revealing the man behind the curtain?
i don't think so
the OP isn't a fan
of some japanese cameras/lenses
so it may get interesting knowing that he
now knows that the equipment he enjoys so much
might be manufactured by a company, or might be a camera
and lens &c that he originally had no love for ...
===
all joking and camera commentary aside ...
i hope the OP is well, after the terrible violent situations in his homeland
and his hometown, and if he was somehow affected by the terrible problems by being in the wrong
place at the wrong time, i hope he recovers quickly and gets back to making photographs and interesting posts.
Hello Flavio,
My friend visited me from france to help him to learn cymbalsmithing. I took him Bosphorus factory and he hammered a big hi hat set. He has no previous record but he succeeded to hammer the cymbals . I took him to Istanbul Mehmet and Istanbul Agop and Edirne to Aegean Cymbals.
He stayed there for 3 months and hammered lots of cymbals. He bought 90 cymbals from there for 80 euros each and sokd at Paris fpr 400 euros.
I analyzed many cymbals and know the secret. Secret is locking the %21-%25 tin in 780 degrees - hot red- in Beta phase with quenching. Most important content in analysis is iron , phosphor , silicon , lead and sulfur and 21-25 - NOT 80-20- tin. Research beta phase.
Nowadays Turkish cymbals are very expensive and sending to Lima in one piece is nightmare.
Wow, sounds like your friend had a very good time at Istambul (factories)! I would love to have been there.
Yesterday i was talking to a friend (another drummer) and he has just bought a set of Istambul Mehmet cymbals that look amazing, but they are still "in transit"; i don't know if he has bought them from the USA but I think that is the case, becuase they costed more than USD 1000 or 1500 for the set.
We're waiting for them to arrive, and once they arrive I will have the chance to play.
As for the "secret", i thought the secret was not really in the bronze formula but in the lathing/hammering !! Interesting that they would allow you to see the actual mixture of metals going into the alloy.
As said before, we hope you are safe in your city. Greetings from far away Lima !
Secret is no longer as a secret because the internet and scientific articles. It was alloy.
Do you have lots of archaeological remains in Lima , can you chew coca leaves ? My dream destination is south america especially Peru. I am an archaeologist by education.
If I were you , I add coca tea in to coca cola like the old daysOf course, you can buy coca leaves and chew them everywhere here in Lima. I do it everytime i go to the mountains/highlands. The lack of oxygen is severe and chewing coca leaves is perhaps the most effective way to counteract them -- short of carrying an oxygen tank, of course.
If I were you , I add coca tea in to coca cola like the old daysdid you try ? I read coca leaves taste like gasoline , is it true ?
As for that mystique? The indescribable "something" that Leica is supposed to have?
Sorry, that's the hype that keeps folks coming back and driving the lust.
Oddly enough I purchaed a photographic book about 20 years ago in a discount sale about a photographer that went to Peru he published the pictures he took of the country, it was a Leica M7/M6 ? that he used.Sadly the book went missing in a house move.Secret is no longer as a secret because the internet and scientific articles. It was alloy.
Do you have lots of archaeological remains in Lima , can you chew coca leaves ? My dream destination is south america especially Peru. I am an archaeologist by education.
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