The OP's question prompts some interesting reflection about why we shoot film. I shoot film for black & white only, but that accounts for 80% of my photography. Some of my reasons for shooting film for black & white:
Aesthetics. For reasons that I can't explain well, I prefer the look of a black and white silver print over a digital print. It's hard for me to put a finger on exactly why. Others have described digital black and white as having a "clinical" look, and I think that's a good description. I used to subscribe to Lenswork magazine. Loved the black and white work that was presented there. But over time, as more of the work was digitally captured, I didn't like the aesthetics as much. It had that hyper-sharp clinical look. Some of it also has an HDR (high dynamic range) look that screams "this is a digital image." Looking at the latest edition of Lenswork reinforced that once again. I still think that well-printed, silver-based black and white images just look better.
Process. When I make a print in the darkroom, I feel like I'm crafting something by hand. It's challenging, but soothing at the same time. I don't get that feeling by looking at an image on a PC monitor and working on it in software. Not even remotely. This might stem from the fact that my profession doesn't entail working with my hands; it entails a lot of time looking at a PC monitor (spreadsheets, email, business system software). So the the last thing I want to do at home is spend more hours staring at a monitor. Editing images on a PC feels mechanical, clinical to me. In contrast, printing in the darkroom has soul. After a darkroom printing session, I feel like I've made something. It's a very rewarding feeling. By way of comparison, my brother is a mechanic for an airline, working with his hands all day. When he gets home, he likes to edit his digital images on the PC. He finds that very relaxing. I guess it's all about perspective...
I also like having a tangible negative. If properly stored, I know it will last a lifetime. That appeals to me. I also just like looking at negatives on a lightbox.
There may be other reasons as well, but those described above are the most important to me. I do like film cameras and the lack of perpetual upgrade pressure, but my main reasons for shooting film are those described above.
Dale