The OP's question prompts some interesting reflection about why we shoot film.  I shoot film for black & white only, but that accounts for 80% of my photography.  Some of my reasons for shooting film for black & white:
Aesthetics.  For reasons that I can't explain well, I prefer the look of a black and white silver print over a digital print.  It's hard for me to put a finger on exactly why.  Others have described digital black and white as having a "clinical" look, and I think that's a good description.  I used to subscribe to Lenswork magazine.  Loved the black and white work that was presented there.  But over time, as more of the work was digitally captured, I didn't like the aesthetics as much.  It had that hyper-sharp clinical look.  Some of it also has an HDR (high dynamic range) look that screams "this is a digital image."  Looking at the latest edition of Lenswork reinforced that once again.  I still think that well-printed, silver-based black and white images just look better.
Process.  When I make a print in the darkroom, I feel like I'm crafting something by hand.  It's challenging, but soothing at the same time.  I don't get that feeling by looking at an image on a PC monitor and working on it in software.  Not even remotely.  This might stem from the fact that my profession doesn't entail working with my hands; it entails a lot of time looking at a PC monitor (spreadsheets, email, business system software).  So the the last thing I want to do at home is spend more hours staring at a monitor.  Editing images on a PC feels mechanical, clinical to me.  In contrast, printing in the darkroom has soul.  After a darkroom printing session, I feel like I've made something.  It's a very rewarding feeling.  By way of comparison, my brother is a mechanic for an airline, working with his hands all day.  When he gets home, he likes to edit his digital images on the PC.  He finds that very relaxing.  I guess it's all about perspective...
I also like having a tangible negative.  If properly stored, I know it will last a lifetime.  That appeals to me.  I also just like looking at negatives on a lightbox.
There may be other reasons as well, but those described above are the most important to me.  I do like film cameras and the lack of perpetual upgrade pressure, but my main reasons for shooting film are those described above.
Dale