Yes see post #4. We then moved onto OrWoI'm pretty certain that the 'new' APX films are Kentmere or close variant thereof -
@Arcadia4 The Swiss ex-Ilford test plant has been converted by Adox for production quality coatings - I think it's now producing some product (possibly CHS II and Lupex). Not sure how advanced the larger scale Bad Saarow machine is towards making its first coatings - I'd imagine it'll be prioritised for paper coating (MCC etc).
Yes its been modified for production with revised driers etc . A previous discussion indicated that CHS was tested but not production coated on it. I guess the Swiss franc may be a limiting factor and reason for the development of a domestic facility. You are correct that ‘Made in’ labelling may be misleading as to where the coating was done particularly as multiple parties may actually be involved in the end product.
I think you are wrong here. Foma coats several different films and photo papers as well as x-ray material. They have been with us for a long time (there is a book on their history available via their web shop that I highly recommend) Harman is ahead no doubt about it but Adox? MCC and MCP was not coated by them, this we know.I think (in terms of aspects of making and coating technology) that Foma is considerably less technologically advanced than Adox/ Inoviscoat/ Harman.
Harman is ahead [of Foma] no doubt about it but Adox? MCC and MCP was not coated by them, this we know.
I think you are wrong here. Foma coats several different films and photo papers as well as x-ray material. They have been with us for a long time (there is a book on their history available via their web shop that I highly recommend) Harman is ahead no doubt about it but Adox? MCC and MCP was not coated by them, this we know.
But Foma Bohemia had.Back then Adox had no production coating facilities at all.
I seriously doubt Foma has any collaboration with ORWO, ORWO appears so entirely different in every aspect of the product, I can't see how running that in Foma facility would make any sense.
I think you may be trying to connect the three as being part of the "other" world behind iron curtain. I don't know how that went in this case as in Poland we had own manufacturing with eventually quite good quality, sadly all history of many years now. ORWO products were made in German factory back than, but my point abut current products is that ORWO film is not even close to Foma in any way. Hence, I don't believe Foma has any relation to Filmotec production. As ORWO is sold in bulk only it's perhaps not as widely used as ready made Foma, looking at what I get in the end, I would not consider Foma if I had ORWO available.The specifications of the materials seem pretty similar - and for various (obvious & historical) reasons it seems that Foma has had strong technological linkages to Orwo - and if a material was coated in the past on a similar type of older machine at Orwo, transitioning it to Forte or Foma's plants (or Efke for that matter) would have been a lot simpler than making/ coating at Mobberley etc (where a total reformulation would probably have been necessary).
I think you may be trying to connect the three as being part of the "other" world behind iron curtain. I don't know how that went in this case as in Poland we had own manufacturing with eventually quite good quality, sadly all history of many years now. ORWO products were made in German factory back than, but my point abut current products is that ORWO film is not even close to Foma in any way. Hence, I don't believe Foma has any relation to Filmotec production. As ORWO is sold in bulk only it's perhaps not as widely used as ready made Foma, looking at what I get in the end, I would not consider Foma if I had ORWO available.
Never meant to suggest, point was about Forte and Foma + Orwo. As for for Yugoslavia it was a creation of an entirely different sort but I have never met Tito so I'll stop here.@Witold: Yugoslavia and thus Fotokemika was never behing the Iron curtain.
I admit I have very limited insight into film production and basically comment on what I see and feel. So I was strictly referring to current ORWO and Foma products and on the table comparison. This is no proof of course that Foma is not in bed with Filmotec.Only in the sense of technological limits - even seemingly little things like the type of hardeners used in modern pre-coating steps can demand total reformulation of the emulsion, whereas if the common limits of your technology are roughly similar coating/ drying setups, it's a lot easier to move coating plant - as opposed to going to Inoviscoat or Harman, where you'd likely be better off seeing if one of their extant recipes can be modified to fit your needs.
Foton, isn't it?as in Poland we had own manufacturing with eventually quite good quality
I agree, however one thing is to have the coating technology available and the other one is to have the know-how. Foma offers various papers readily available for purchase, Adox do not. Fingers crossed they bring their Poly papers back in a timely manner (same for mcc).
Never meant to suggest, point was about Forte and Foma + Orwo. As for for Yugoslavia it was a creation of an entirely different sort but I have never met Tito so I'll stop here.
I think people are severely underestimating the scale of the Polywarmtone re-formulation (because that's what it essentially seems to have been) - in the pre-digital world it could have taken 3-5 years as a full time job for a dedicated research team - it seems they've had to innovate quite a lot & build up a complex multigrade paper emulsion set/ layer structure in order to both preserve the tonality of Polywarmtone, but also make it a properly competitive first-rate paper on the market today.
Thanks for the link, great read and it appears ADOX is committed enough. If they could only convince one of those nastily rich to throw in some cash without asking for return. Perhaps someone knows Bezos' girlfriend and get the cash through the back door? Just throwing out an idea.Some of the tedious steps are described here: http://www.polywarmtone.com/
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