No argument on these Nikons being great cameras. However, given that I continue to shoot 35mm with 2-F2 (DE-1 finders) bodies, 2-F2AS bodies, an F2A, an F3 and an F3HP (the F2s all equipped with the MD2/MB1 drives; the F3 with the MD4 drives) as well as a pair of M6s, the notion of "deprivation" does not really enter into it!
Perhaps referring to my collection of Kodachrome memorabilia was misleading; I just thought it kind of cool to set aside the bodies I had used on my final Kodachrome shoot on Christmas Day, 2010. I have, of course, moved on. But Kodachrome will always have a special place in my heart; I started shooting the film when I was nine years old with my first camera, a cheap-ass 126 format creation. It remained, until last year, the only 35mm color film I have ever shot. While I have moved on to E100G and E100VS, in both 35mm and 21/4, something in my mind is missing. Perhaps it is the realization that the images I create now come with a "best-before" date. Perhaps it is the quality of the color itself. Nonetheless, a certain resonance, if you will, has been lost. Shooting Kodachrome and then switching to Ektachrome is sort of like being forced to give up my Beemer or my Honda and being told to satisfied with driving a Ford...